Murder After the Marathon: How Race Winnings Expose Kenya's Female Runners to Violence

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Overview

This ARTE documentary visits Kenya's distance-running heartland. It asks why winning, for many women athletes there, brings extortion, abuse, and sometimes murder instead of security. The film follows Evelyn Ruto, a 42-year-old runner rebuilding her career after an abusive marriage. It also follows Joan Chelimo, a top athlete who founded an NGO in memory of her murdered friend Agnes Tirop, and Tirop's family, who are still waiting for justice. The documentary argues that the money from running pulls women out of poverty, but in a patriarchal society with weak institutions, that same money also draws predators to them.

12 min read
0:22

A Marathon Day in the Highlands

The film opens before dawn on a Sunday, as 3,000 athletes from across East Africa warm up for a marathon. The narration says most of the world's best endurance runners train at about 2,500 metres on Kenya's high plateaus above the Rift Valley. In this region, it adds, hard work is often the only way out of poverty.

Evelyn Ruto is running that morning. She belongs to a team of women runners who have survived domestic abuse and want to break the silence around it. Before the start she calls it "a big day" and says she thinks everything will be okay.

Even at a local race like this, the narrator notes, winners take home the equivalent of about €20,000; an announcer is heard naming a winner of "3.5 million." The film describes the other side of the coin as extortion, harassment and even murder, because growing prize money attracts predators.

2:31

The Publicized Killings

The documentary lists the cases that drew international attention:

  • In 2021, Agnes Tirop, the 10 km world record holder, was stabbed by her husband, who was also her coach.
  • A few months later, Damaris Mutua was strangled by her partner.
  • After competing at the 2024 Paris Olympics, Rebecca Cheptegei was burned alive by her former partner.

The film presents these femicides as only the most visible cases of a problem that runs through Kenyan running and Kenyan society as a whole. One young interviewee calls gender-based violence "a huge issue," especially since an athlete was killed a few years ago. She cites a statistic she qualifies with "if I'm not wrong": one woman murdered every eight hours in a gender-based violence case. Another woman says many people her age are married without knowing "how marriage works," and that household disagreements can end with one person taking a knife to the other. The narration adds that Kenyan police recorded 580 femicides in 2024.

Evelyn finishes 28th, below what she had hoped for. For her and her teammates, though, the main goal of the day is to send a message to young female athletes. She believes the next generation will be better off "because now they have people to teach them," so they know how to defend themselves. She says that was not true for her own generation, who had no one telling them about it.

4:55

Evelyn's Story: Winning Without Getting Paid

The narrator calls Evelyn's story "sadly common in Kenya." She could earn thousands of euros per race, but her husband took all her winnings. She says she won many races in Kenya but never saw the money. She describes him going to the bar every day, coming home late at night, and beating her. When she won, the money existed, but she never had it. She believes that with a different partner, "I could have been a champion." She eventually divorced him.

She now lives alone with her four children, plus chickens and dogs, in Iten, a small farming town in western Kenya known as the world capital of long-distance running. According to the film, since the 2000s this region has won more Olympic athletics medals than France and Germany combined, which earned it the title "home of champions." Evelyn runs every day with a neighbour, 25 km in the morning and 15 km in the afternoon. She says she has no other job, so running is her work, and she will keep going until her legs stop moving.

She shows the camera her small garden of fruit, spinach and chilli, and her four laying hens. She sells chicks to help pay rent and support her children. She says this is not enough for school fees, but it keeps the family going.

7:38

The Night Attack

Evelyn and her children thought the violence was behind them. Then, the year before filming, the family took in another female athlete. That woman's ex-husband, also a top athlete, came through the fence in the middle of the night and walked straight into the house. Evelyn says he carried a knife, a rope and a stick, hit the woman on the head and cut her neck. Evelyn's children were sleeping in another room.

The young woman survived and returned to competition. Based on Evelyn's testimony, the attacker was sentenced to 12 years in prison. Evelyn says that afterward people spread "fake news" about her on social media, claiming she had given false evidence, in what she describes as an attempt to tarnish her name. The narrator notes that despite everything, both women were lucky to be alive.

9:32

Agnes Tirop: A Case Still Unresolved

The film then turns to the pattern it says keeps repeating among Iten's women runners: a boyfriend becomes a coach, then an abuser. Agnes Tirop had built a house and wanted to leave a violent, possessive partner. She had just signed a major sponsorship deal after breaking the 10 km world record and was seen as the rising star of her sport.

Her brother Martin Tirop shows the bedroom where her body was found. He says the partner had no job and Agnes bought him everything, including clothes and food. He also says the man had tried to change the ownership documents for her assets. Agnes was murdered at 25.

Her career now fits inside a single bag of medals from London, Doha and Cape Town. Her brother points to the medal from her first race, which she ran and won barefoot because at the time she did not know how to run in shoes. The narration explains that for their father, a milkman who delivered by bicycle, a good pair of shoes cost several months' wages. Soon Agnes's victories were supporting the whole family.

For five years the family has fought for justice while the alleged killer remains on the run. Her mother had noticed signs of abuse but did not step in, and she now visits her daughter's grave every day. Near the end of the film, the parents dress up for court as hearings resume after a year's break. Disappointment follows almost at once: a new judge has been assigned. The family accuses the alleged killer of bribing the authorities to get bail; he has since disappeared. Asked whether there has been corruption, a family member answers that "there is a problem inside the court." They point out that the judge changes every two years. They hope the new judge will not let the case drag on. The film closes with a statistic: in Kenya, only 6% of femicide cases over the past decade have reached a verdict.

12:24

Strides for Africa: Athletes Organizing Themselves

The film presents the athletes' self-organization as a response to the authorities' slow action. Joan Chelimo, a top runner and one of Agnes Tirop's closest friends, founded Strides for Africa in Agnes's memory. The NGO supports Evelyn's team of 14 women who have suffered abuse. On the day of filming, the group welcomes two new members with singing. To put them at ease, Joan shares her own story: everything she and her partner had pooled, including the land and the house they built, was lost.

To help members avoid scams, the NGO runs micro-credit workshops. The narration gives the context: most Kenyan women have no bank account, money is usually managed by fathers, brothers or husbands, and men hold 98% of property titles.

Joan explains why this teaching matters to her. At the start of her career she was taught resilience, how to train hard, how to be disciplined and how to win. "But nobody told me on what happens after winning," she says. Having lost everything herself, she thinks it is essential to teach young women "what happens after the finish line," because she sees the abuse and vulnerability coming right after it.

15:39

A Shelter in a Place Without Services

For emergencies, the NGO has set up a shelter with help from a nun, Sister Mccrina. Some runners have already stayed there, and the newest members are seeing it for the first time. Joan calls it "my dream." She says that in almost four years of fighting gender-based violence, one of the hardest problems was having nowhere to send women after they came for counselling.

The narration stresses how little the state provides in these rural areas. There are almost no public services, and even Iten's municipal stadium is falling apart. In that absence, the film says, money from sports brands such as Adidas, Asics and Nike draws a lot of attention. Top athletes can earn tens or even hundreds of thousands of euros a year. Joan is one of them, having come back to elite running after childbirth.

17:16

Running as the Way Out, and the Ideas It Brings Back

Speakers describe running as the main route out of poverty. One estimates that "80%" of the way out of Iten's poverty is through running. Another says her own path to a scholarship and to leaving the country came through the sport. They stress that it demands hard work, discipline and consistency.

The film suggests that travel abroad exposes athletes to other models of society, and they bring back ideas that challenge local traditions. Joan describes trying to change cultural norms that confined women to the kitchen, childbearing and the home, and she says this is why there is "a lot of fight." She believes most women are not aware of their rights, or even that what they are going through counts as gender-based violence. In her view, more workshops and outreach are still needed.

18:50

The Mobile Clinic: Abuse as Common Experience

In another scene, the runners volunteer at a mobile clinic where 3,000 villagers are expected for free care, with the paediatrician and dentist in especially high demand. Sister Mccrina, a counsellor, sets up next to the queues. She recounts an incident involving one of her sons, two fingers cut off with a machete, and an inheritance dispute. She speaks of men who make sure a woman is "just nothing" while they are alive. One of the women then shares that her father beat her pregnant mother to death.

The narrator observes that most of the women in the film, including Sister Mccrina, Joan and Evelyn, have experienced abuse.

20:33

How Men See It

The film then turns to men. The narration says abuse has become so normal for many men that most do not see the problem. One young man is asked whether it is acceptable for a woman who earns a lot to manage her own money. He answers that in his generation, if he married a woman who earned more than him, there would be "no respect," and the man would end up "doing something bad" to avoid losing, because "for men, we don't lose." Another man describes a belief in African communities that men must beat women. He says some men are stubborn, do not understand when he talks about the issue, and always believe the women are the problem.

A further voice explains how violence escalates: "Murder doesn't just happen in one day." It starts with small acts of violence and exploitation and builds until someone is killed.

24:36

An Open Ending

The film offers no resolution. Evelyn keeps running and plans to continue as long as her legs allow. Joan's network is growing, with a shelter and financial workshops aimed at the moment after the finish line. Agnes Tirop's family returns home from court with a new judge, an absent defendant, and the knowledge that only 6% of femicide cases in the past decade have reached a verdict. The film leaves open whether the new judge will let the case languish.