Two Washingtons: A French Correspondent's Logbook of Trump's Second Term

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Overview

Marine, a journalist accredited at the White House as a US correspondent for French television, lives with one foot in each of two worlds. By day there is the center of Trumpist power. At home there is Mount Pleasant, a Washington neighborhood of Democrats in a city that, as Marine notes, voted 92.5% for Kamala Harris. The neighbors are civil servants, public administration employees, and immigrants from Latin America. Marine calls it a progressive microcosm that would quickly find itself targeted by the new administration. The documentary is built around that double vantage point: watching the people who make decisions and the people who live with the consequences. Its central question is how a country absorbs a sustained campaign against its institutions, its language, and some of its residents, and why so little resistance seems to follow.

22 min read
1:16

Day One: Revenge as Spectacle

The film opens on inauguration day. The narration says that within an hour the president signs more executive orders than his predecessor did in half a term. The first is a freeze on all federal hiring. Another withdraws the United States from the Paris climate agreement. Marine describes the event as a former reality TV star turning the inauguration into something like a wrestling halftime show: nine hours of spectacle in which "the enemies of the people" are ritually named. These are civil servants, environmental defenders, the media, sexual minorities, and immigrants.

The consequences arrive quickly. According to the narration, within 48 hours of Trump's return, immigration police arrest 538 people in Washington, New York, Philadelphia, Boston, and Seattle.

3:10

Mount Pleasant Under Pressure

Mount Pleasant is a Latino neighborhood as well as a neighborhood of white Democratic civil servants. Residents soon set up Signal groups to share information. The film changes the names of people and groups to protect them. Marine gets an alert that ICE has carried out a raid at the end of the street, at the hairdresser Marine uses. Marine's children attend a bilingual English–Spanish public school three blocks away. Marine asks the neighborhood moms' chat whether ICE can enter the school, and the answer is yes. The narration explains that schools, hospitals, places of worship, and courtrooms are no longer sanctuary places, and immigration police can now go anywhere.

The neighborhood's civil servants are hit at the same time. Marine reports that someone has lost a job in one house out of three. Tens of thousands of federal employees are fired and accused of wasting public money. They are escorted out by security guards and given no more than 15 minutes to collect their belongings before being put outside in front of cameras. Marine concludes that under this administration cruelty is "not an accident, but an end in itself." At a small gathering of affected workers, one woman explains that her health insurance and her partner's are tied to their jobs, so she does not know what will happen. Another says they dedicated their lives to service and calls the treatment disgusting.

5:39

Donna and Don, Witnesses

At that gathering Marine notices a woman with "something of a Jane Fonda vibe" and photographs her. A few weeks later Marine sees her again at the federal courthouse, at a hearing in the Associated Press case. The Trump administration had cut off the AP's access to White House events as punishment for continuing to call the Gulf of Mexico by that name rather than "Gulf of America," as the president had renamed it. The narration calls the press the president's second favorite target.

The woman turns out to be Donna. She and her husband Don are retirees from Austin, Texas, who gave up a quiet retirement to move to Washington, attend every protest, and sit in on hearings. Donna says they are very scared and did not expect so much to happen so quickly through executive orders. They came, she says, so that as American citizens they could "bear witness" to what is happening in their country. The couple become a recurring thread in the documentary.

7:29

Marjorie Taylor Greene, Brian Glenn, and "New Media"

Marine films a congressional investigative hearing where the heads of NPR and PBS are questioned before a committee chaired by Marjorie Taylor Greene. The narration describes the Georgia Republican as known for an explosive temperament, sometimes conspiratorial views, and devotion to Trump. Greene accuses public broadcasting of pushing trans proselytism on children. She cites a drag queen appearing on a show aimed at children aged 3 to 8 and calls PBS "one of the founders of the trans child abuse industry." The narration points out that the program the photo came from was never broadcast on PBS.

Marine notices that Greene's partner, Brian Glenn, is sitting nearby. The narration calls him the president's favorite journalist. He has followed Trump since 2016 at rallies, trials, and trips abroad. Days earlier he was in the Oval Office asking Volodymyr Zelenskyy why he did not wear a suit. Marine decides these are the people to approach to understand the MAGA world's "obsession with retribution." The first attempt goes badly. At an impromptu press conference after the hearing, Greene responds to a foreign journalist's question by asking what country they are from. She says she doesn't "give a crap" about their reporting and tells them to go back to a country "with a major migrant problem."

Marine later meets Glenn at the White House. He says his outlet, Real America's Voice, reaches "millions, tens of millions every day." He describes its core audience as people who put the MAGA agenda first, "the Christian kind of a nationalist, a populist." The channel's lineup includes Steve Bannon's War Room and the Charlie Kirk Show. Glenn says he believes he was the first new-media outlet ever to travel on Air Force One. The narration explains that "new media" is the label for the newly credentialed pro-Trump outlets.

11:32

Erasing Words and Symbols

The narration says the MAGA world has its own newspeak, in which some words appear and others are banned. Marine reports that 8,000 pages on public administration websites containing words such as "woman," "gender," "equality," "slavery," and "Black" are deleted.

At the foot of 16th Street, next to the square bordering the White House, the yellow "Black Lives Matter" lettering is torn out of the asphalt with jackhammers by order of the president. It disappears within hours, and with it, in Marine's words, the assertion of racial equality made in the 2020 protests against police violence. One person collects a fragment, calling it "a beautiful part of history that we're taking away." Marine is struck by the lack of demonstrations in a city that is more than 40% Black. Only one woman stands there with a banner, crying.

She is Nadine. She camped on the square in 2020 after George Floyd's killing. She was born in Trinidad and Tobago and became a US citizen almost exactly 30 years earlier. She says she spent four months trying to warn people about Project 2025 and does not understand why no one took it seriously. She says she "bought into" American exceptionalism and checks and balances, and after 37 years in the country now considers it "a farce." She announces she is going back to Trinidad and Tobago because, she says, it is not fascist.

14:36

Classicism as Policy: Justin Shubow

The president has large plans for the capital's architecture. The key figure is Justin Shubow, his architecture adviser. The narration says that as head of the Commission of Fine Arts during Trump's first term, Shubow wrote executive orders imposing classical style on public building construction, under the banner "Make federal architecture beautiful again." He quotes Thomas Jefferson describing the Capitol as the first temple to the sovereignty of the people, built in Athenian taste.

Marine asks whether beauty is subjective. Shubow says no. He argues there is widespread public agreement about which buildings are beautiful and which are ugly, backed by surveys. Before neo-Greek or neo-Roman buildings can go up, the capital's brutalist buildings are slated to disappear: the FBI's Hoover Building, the Department of Energy's Forrestal Building, and the Department of Housing and Urban Development headquarters designed by Marcel Breuer, which is a listed building. The narration says Shubow sees brutalism as a legacy of the socialist aesthetic of Kennedy-era America. Shubow says that whatever one's criticisms of Trump, "he does have his finger on the pulse of ordinary Americans." Marine calls this the knockout argument of Washington's new masters: Trump is on the side of the people, and the people are never wrong. Marine describes the city as a "new Rome for a Caesar of a new kind."

16:56

Troops in the Streets and a Burning Flag

Marine goes to every demonstration looking for resistance and keeps running into Donna and Don. Marine observes that the protesters are almost always the same: kind, white, liberal boomers. They belong, the narration notes, to the half of Americans over 60 who receive a pension and can afford to spend their days protesting.

In midsummer, the president uses an assault on a young DOGE recruit as a pretext to declare a state of emergency and deploy the National Guard in the capital. He says, "We're starting very strongly with DC, and we're going to clean it up real quick." The narration notes that armed soldiers in the streets are unprecedented in Washington and that a law dating from 1878 prohibits the military from carrying out law enforcement on national territory. Nadine is among the few protesters and mocks the "exhausted" soldiers for supposedly chasing rapists and murderers.

Most of the protesters that day are military veterans. Jay Carey, who served 20 years including in Bosnia, Afghanistan, and Iraq, calls Washington "a test run for martial law." That same day the president signs an executive order, of uncertain legality according to the narration, making flag burning a felony with a one-year penalty. The veterans immediately decide to go burn a flag at the White House. Marine admits to loving "that bad idea" at once. The narration notes that American law treats flag burning as symbolic expression protected by the First Amendment. Carey burns the flag "as a protest to that illegal fascist president." He refuses to put it out, calling it his right, and is taken away. The veterans say they swore an oath to defend the Constitution against all enemies, foreign and domestic. Marine says this was an early view of something that would spread: the use of the army and federal forces against civilians, soon in Chicago, Memphis, New Orleans, and Minneapolis.

20:53

Will

Among the protesters, one young man stands out because young demonstrators are so rare. Will is 23 and from Michigan. His parents voted for Trump. He came to spend the summer in Washington protesting what he calls the fascist drift of the administration. His sign reads: "We won't be the generation that lost its country to fascism." He says he is fighting his country's decline. In bad weather he shelters at the Peace Vigil, a tent set up in 1981 to protest nuclear proliferation, according to the narration. He is outraged by the apathy of his fellow citizens, especially young people, and asks Marine for an interview because he has things to say. Marine promises to arrange it later. Events in the neighborhood get in the way.

22:29

The Neighborhood Becomes a Front Line

In September, masked and armed agents become part of daily life in Mount Pleasant. On the first day of school, Marine sees two SUVs with tinted windows pass the school. The assistant principal, in a fluorescent vest, follows them on foot with a walkie-talkie to raise the alarm. Helicopters circle low over the neighborhood, and one resident insists it cannot be a normal flight pattern. Every evening at 7 p.m. neighbors bang pots and pans, and children copy them for fun. The neighborhood organizes emergency numbers, online fundraisers, home food deliveries, and legal aid for undocumented residents.

Marine's son's teacher sends word of a farewell party for a classmate, David, who is leaving for El Salvador because his parents have been deported. Latino children are now taken to school by white parents. Olivia, a second grader, was born in the US and is an American citizen. Her parents are from Mexico and have lived, worked, and paid taxes in the US for 20 years without legal status. A neighbor, Felipe, takes her to and from school every day. Her mother Laura, a social worker taking university classes, relies on classmates for rides. Her father Diego risks arrest every day on his way to his restaurant job. The parents had to find words to explain the situation to Olivia.

27:42

Tearing Down the Peace Tent

At the White House, during the Israeli prime minister's fourth official visit in eight months, Marine finds Brian Glenn in a bad mood. The narration says he dislikes how much foreign affairs are crowding out the "America First" promise to put Americans' problems first. He then volunteers that he was the one who got the peace tent removed. He recounts asking Trump in the Oval Office about the "blue tent" in front of the White House while the president was talking about beautifying DC. In the footage, Trump says he was not aware of it. Glenn calls it an eyesore. Trump replies: "Take it down. Take it down today, right now."

Someone had sat at the vigil 24 hours a day for 44 years, according to the footage. It was where Will spent his days. When someone tells him that he is the vigil and it will survive through him, he rejects that. After three months of daily protest, the narration says, he believes less and less that a raised sign invites dialogue. He tells Marine that even in a losing battle, it matters that those committing transgressions know there was resistance: "if evil is beating good, it's important that it's not easy."

After Charlie Kirk's Assassination

Jay Carey appears before a federal judge in a tense atmosphere: right-wing influencer Charlie Kirk has just been assassinated. Outside, Don and Donna have come to support him. They say Kirk's killing is heating things up and worry about First Amendment freedoms for liberals and Trump opponents, but say they will keep protesting. The narration describes an online campaign, launched by Vice President J.D. Vance, to catalog posts deemed negative about Kirk and identify their authors. Vance is shown urging people to call out anyone celebrating the murder "and hell, call their employer." Marine reports that 600 Americans were denounced and lost their jobs. Donna says her usually reserved son asked her to text him every night to confirm she had not been arrested.

32:10

Marjorie Taylor Greene's Fall

In November, Glenn sends Marine a link to a video Greene posted on X from her living room in Georgia. She says that standing up for women "raped at 14 years old, trafficked and used by rich, powerful men" should not get her called a traitor and threatened by the president she fought for. The narration says that after she joined Democrats in pushing to declassify the Jeffrey Epstein files, the president cast her out and MAGA trolls threatened her with death. Trump is shown saying he doesn't think her life is in danger and that "frankly, I don't think anybody cares about her." Greene announces her resignation, effective January 5, 2026, saying she refuses to be "a battered wife hoping it all goes away."

Glenn brings Marine to the Capitol for one of Greene's last votes. Marine describes the movement's former attack dog, now ostracized, as having changed tone to attract sympathy. Greene says she won't miss the "toxic political environment." She complains that most members of Congress never get to bring their bills to the floor. The narration adds that no Congress in American history has passed so few laws as under Trump's second term, and that the legislative branch has abdicated in favor of the executive. Asked about her legacy, Greene points to a bill that codified the president's executive order renaming the gulf. Marine observes that "Gulf of America" has become reality, at least on MAGA hats.

34:38

Winter, Minneapolis, and a Lawyer's Phone Number

2026 begins with what the narration calls the harshest winter in 150 years. At home, Donna shows Marine a protest sign she made: "Caution ICE ahead," with an ICE agent and three bloody marks on a car. In Minneapolis, large numbers of residents protest ICE raids, and federal agents shoot dead a mother and then a 37-year-old nurse. Authorities call the deaths justified, and an official calls one shooting "an act of domestic terrorism." Donna says that if they can kill someone in cold blood sitting in her car, right after she smiled and said she wasn't mad, it makes her scared.

On their son's advice, the couple hire a lawyer, Ashley Akers, a former Justice Department prosecutor who worked on January 6th cases. The narration says she and the other prosecutors on those trials were fired or resigned when Trump returned. Akers tells them to memorize her number or write it on themselves in Sharpie. The narration cites a presidential memorandum under which anti-American, anti-capitalist, or anti-Christian views, and hostility toward traditional views on family, religion, and morality, may be treated as domestic terrorism. Asked whether Donna could be labeled a domestic terrorist, Akers says Minneapolis shows "anyone could be labeled a domestic terrorist so long as they're not in pursuit of the objectives endorsed by the administration." Asked whether the justice system is still independent of the executive, she says the DOJ is no longer independent and is openly under White House control.

Marine treats what follows as confirmation. The Department of Justice displays the president's face, as do the Departments of Labor and Agriculture. Trump's name goes up in gold letters on the US Institute of Peace and on the Kennedy Center, and appears on passports and national park passes. It is soon to appear on Washington's airport and on New York's Penn Station, whose renovations are overseen by Justin Shubow in his new role leading a council on beautifying transportation infrastructure.

38:40

The Arch of Trump

Nearly a year after their first meeting, Marine meets Shubow at the site of the planned Arch of Trump. He says he suggested the idea to the president: a 75-foot triumphal arch for the country's 250th anniversary. The president was very enthusiastic and posted his own plans on Truth Social. The narration says his version is 249 feet high, one and a half times more massive than the Arc de Triomphe and three times the size of Shubow's proposal. Shown an image of a monumental version with giant statues, Shubow calls it "just a provocation" and "just AI." He comments on the size of the figures ("it's like North Korea... it's ridiculous") and says that's why he doesn't want to talk about it. Asked how his own proposal differed, he says he can't say: "it's politics," and he can speak "when the history books are written." Marine reads this as someone choosing silence over openly distancing himself from the president, in an administration that tolerates dissent poorly.

40:44

Will's Death

A message brings the news that Will has taken his own life. On a freezing evening, about 30 people gather in front of the White House, which Marine says looks more and more like a bunker. Speakers describe him as a Western Michigan University graduate, past president of the university's skydiving club, a leader in its geology club, a 2020 Congressional Medal of Merit recipient, and someone who spent a year studying in Leuven, Belgium. One speaker says Will packed 60 years of life into 23. She says that as the days went on she could see him realizing he would not make the big difference he wanted. He had hoped many young people would join him. She tells the crowd that most people make little differences, and that passersby who see a sign may take its message home and look it up.

Brian Glenn's Last Day

Glenn resigns from his White House post to follow Greene. On his last morning he delivers six pounds of Chick-fil-A to the White House staff, which Marine calls a final bow to the power that is banishing them. He jokes that the White House is releasing UFO files on his last day. An adviser suggests the president might grant him a moment. Glenn refuses an Iran-related assignment for his final live report and instead uses it to criticize the movement's "influencers" and meme-makers as "the most harmful to our movement." Marine calls this the cult-like machine he helped build turning on him and Greene. Asked whether he'd rather be on the outside, he answers: "Outside. More comfortable." He checks his phone all day, but the president never says goodbye in person.

Glenn's UFO remark turns out to be true in a different sense. The White House publishes a website about "aliens" that warns they "walk among us," shop in the same stores, attend the same classrooms as "our children," and "embedded themselves into our society." A map of arrests makes clear the targets are undocumented immigrants. The site includes a one-click link to report people to immigration police.

48:37

The Frog in the Water

After 18 months of filming, Marine invokes the boiling frog: a frog dropped into hot water jumps out, but one heated slowly grows numb and dies. In nearly two years, Marine says, there has been no real awakening, and Americans seem to have grown used to the water heating up.

Half the people Marine followed have left the scene. Brian Glenn and Marjorie Taylor Greene are back in Georgia, keeping away from Washington. Laura, Diego, and Olivia have settled in Chiapas, Mexico, where Olivia, an American citizen leaving the only country she had known, has started third grade. The charges against Jay Carey were dropped, and he has returned to North Carolina. Don and Donna remain, going to No Kings demonstrations to feel less alone, and they have memorized their lawyer's phone number. Nadine keeps trolling the president around the White House with her banner. As Marine closes this logbook of Washington under Trump's second term, Marine learns that Will left behind a manuscript. It is titled Democracy.