Michelle Khare Goes to Etiquette School: Handshakes, Posture Harnesses, and Seven-Second Soup Drips

Open on YouTube ↗
Overview

In this episode of Challenge Accepted, Michelle Khare sets out to answer one question: are etiquette and manners still relevant today? To find out, she brings friends Kelsey Impicciche and Chris Villain to a lesson with Lisa Gaché, founder and CEO of Beverly Hills Manners. Unknown to the three students, Lisa is scoring them throughout the session, and she admits to the camera that she "might have set a few small traps." The lesson covers greetings, posture, the origin of the word "etiquette," table settings, dining technique, and toasting. Throughout, Lisa keeps returning to the idea that manners exist to put other people at ease.

11 min read
0:27

A Failure Before the Introductions

The lesson goes wrong almost immediately. Before anyone has introduced themselves to Lisa, Michelle is asked whether she wants her dress zipped all the way up in the back. Michelle concludes that she has "already failed etiquette school." Lisa brings this moment up again at the end, during grading.

0:56

The Handshake: Web to Web, Two Proper Pumps

Lisa begins with handshaking. She describes the mechanics: the right hand moves from the elbow down, and the two hands meet at "the web," the area between thumb and forefinger, so the contact is web to web.

She also gives a rule about who initiates. Men are supposed to wait for the woman to offer her hand first, and Lisa's reason is that men should not assume women want any physical contact. If the woman does not initiate, the man simply nods. Michelle says she likes that.

Lisa then asks how many pumps make the "perfect Goldilocks" handshake. The students guess three and two. Lisa confirms two, but the first attempt draws her criticism: "those are very weak pumps." She asks for two proper pumps followed by a release. Kelsey and Chris then practice on each other, and the result gets an approving "beautiful."

2:43

First Impressions Begin With "P"

Michelle frames etiquette as something familiar from pop culture. She points to makeover stories like The Princess Diaries, Miss Congeniality, and even The Aristocats, which take a woman "from zero to hero." She calls etiquette an important part of history and society that also feels "incredibly untouchable."

Lisa says people form opinions about us within the first seven seconds of meeting us. According to her, they are not focused on clothes or hair. They notice qualities beginning with the letter P: poise, politeness, and posture.

4:45

Sitting Up Straight: Chairs, Ankles, and Knees

The group sits down so Lisa can assess their posture. She says there should be "no spreading of any kind," including manspreading, and no contact with the back of the chair. For Chris, she recommends keeping the feet parallel with the hands on the knees.

Lisa explains the difference she sees. Sitting forward this way makes someone look present, interested, and excited to be there. Leaning back sends a message closer to "entertain me" or "I'm not so sure I want to be here."

She then cites the Duchess of Sussex and the Queen of England as examples of perfect posture held for long periods. The students tie bands around their knees and ankles to keep their legs together. Lisa teaches the crossed-ankle position she associates with female politicians: turn slightly to the side, keep the heels flat on the floor, and cross one ankle behind the other.

The knee cross proves much harder. Lisa describes it as "a lift and a squeeze." The top foot is pointed and touches the foot on the floor, and the top thigh is lifted so it does not rest on the other leg. Michelle discovers she is holding up her own legs, and there is "literally like a space" between her thigh and her other leg. Lisa adds more instructions: point the toe down, suck it all in, chin up, and smile with your eyes.

6:12

Not Male or Female, Just Courteous

Lisa adds a caveat to the gendered handshake rule and the ladylike posture lessons. She says none of these behaviors needs to be seen as male-specific or female-specific. Her example is holding a door. If you notice someone behind you, you hold it open because that is courteous, whoever you are. In her view, these behaviors are done for others and should come naturally "regardless of what you look like and how you identify."

6:45

Where the Word "Etiquette" Comes From

Before moving to dining, Lisa tells an origin story. She says Louis XIV in 18th-century France threw lavish parties and invited the townspeople. Instead of walking on the paths, guests walked on the lawn and sometimes stomped on flowers, which upset the king. His gardener suggested putting up small signs asking people to stay on the path. According to Lisa, "etiquette" came to mean these little signs or guidelines that help people know how to behave in any situation.

7:25

The Place Setting and a Father's Humiliation

At the table, Lisa promises to teach "once and for all" where the bread plate and glasses go. Kelsey already knows the trick and explains why. Kelsey's father grew up in a rural town. At his first big business dinner, he reached for the bread plate on his right. The other men noticed and switched their own plates to match, and he was humiliated that everyone had to change plates because of him.

Afterward, he drilled a trick into Kelsey's mind. Hold up both hands with thumbs and forefingers forming circles. The left hand makes a "b," for bread plate. The right hand makes a "d," for drinks.

Lisa reads the story differently. She calls the men's response correct and says it shows the number one rule of etiquette: if you know the rules, you never shame someone who doesn't. The men switched plates so the newcomer would feel good. "Manners are designed to help put other people at ease," she says.

8:22

Passing, Pouring, and Declining

Next comes passing. Kelsey is asked to pass the bread, and Lisa explains that food is passed to the right. The person holding the bread first offers it to the person on their immediate left, and then it travels around the table to the right.

Lisa then raises the stakes. The group is eating off her wedding china and wedding crystal, which she calls valuable and meaningful, and she warns, "you break it, you buy it." Michelle says everything was fine until she learned it was wedding china.

When the white wine comes out, Chris mentions not drinking at all and asks what to do. Lisa's answer: say "no thank you" and pass the bottle along. Chris gets sparkling cider in its place. Michelle pours herself what is jokingly called "a club pour," and Lisa asks her to pull back to a more sensible amount.

10:02

Soup: The Pinky Raise and the Seven-Second Drip

For the soup course, Lisa brings out a spoon she found at an estate sale. She says the spoon rests balanced on the middle finger. This is where a slight pinky raise may come in, and she says it is purely for balance, "not for affectation."

The technique is to tilt the spoon and scoop away from yourself, fill it about three-quarters full, and sip from the side of the spoon. Lisa adds a claim about timing: if you are worried about a drip, you have seven seconds before it falls. The group times itself. One student's drip falls around the five-second mark, and Michelle finishes what she calls a "photo finish."

During the soup course, Lisa notices Kelsey yawning. She says you don't need to bring your hands to your face for a nose-blow or a yawn, because you have what she calls a "blast shield": the napkin, wrapped underneath with the hands. The others joke that the name sounds very sci-fi.

11:31

The Entree Under Restraint

For the entree, Lisa says she will "turn up the heat." The students put on a strap system that runs under the armpits to keep their bodies upright, and Michelle says it feels like a harness. Lisa connects it to a similar scene in The Princess Diaries. She also gives each student objects to hold in their armpits so their elbows stay at their sides. "No wings should be flopping," she says.

She compares the goal to Downton Abbey, where diners sit stick-straight and move discreetly instead of "shoveling it in" the way many people do over the kitchen sink. Actually eating under these constraints turns out to be very hard. Michelle asks whether this is Squid Game and describes tension in her lats and back. Rice falls off forks, someone's biceps start shaking, and the students struggle to get food to their mouths. Lisa eventually removes the props so they can enjoy the meal.

Michelle says she is now intensely aware of her body. Lisa says that awareness is "actually the biggest thing," because many people do not notice other people's personal space.

13:04

Dessert, Silverware, and a Near-Miss

At dessert, the group raises champagne glasses, and the toast draws applause. Lisa mentions she still needs to show them what to do with their silverware. She is briefly alarmed that someone may have chipped her china. They have not.

13:38

Toasting: The Three B's and the Recipient's Rule

Lisa's toasting rule is the three B's: begin, be brief, and be seated. She opens with "I would like to propose a toast" and thanks Michelle for inviting everyone to learn to elevate themselves in the new year.

This is also where one of her traps lands. Michelle is the recipient of the toast and drinks along with everyone else. Lisa explains that the person being toasted does not drink, because doing so is the equivalent of "yay me, I'm so fabulous." Instead, the honoree sets the glass gently on the table and drinks after the toast ends and attention moves elsewhere. Lisa tells Michelle it's fine since she didn't know.

The students then give their own toasts. Chris thanks Lisa for welcoming them into her home and says they learned things they will carry for life. Chris's attempt to clink glasses doesn't produce the right ring, and Lisa isn't sure whether the problem is technique or the cider. The glasses get swapped to test it. Michelle's toast honors the crew who filmed the day and says the experience will educate many people.

15:30

The Grades

Lisa reveals her scores, admitting the numbers are partly coming to her on the spot.

Kelsey. Lisa was undecided. Kelsey yawned a lot early on but perked up once there was food, though not enough to redeem herself in the dining portion. Lisa first says 78. When Kelsey protests, Lisa agrees to "flip it" to 87, a B+.

Chris. Lisa liked Chris's turtleneck ensemble at the start and says Chris looked "very prince-like." Chris lost points during the dining portion and ends with an 85, which Chris accepts as "a solid B."

Michelle. Lisa says organizing the lesson in the first place puts Michelle near the top, whatever the faux pas. Michelle points out the unzipped dress at the very beginning, and Lisa agrees it started Michelle at a deficit. But Michelle's kind words at the end raised the score, and the final grade is 93.

All three "graduated" in the A and B range. Michelle jokes that her perfectionism is "dying inside." Lisa closes with her view of the purpose of the lesson: to help people feel confident, comfortable, and like they fit in wherever they go. She says she hopes the session gave viewers "a taste of the fascinating world of etiquette."