Three Days at Santa School: Michelle Khare Trains to Become Mrs. Claus

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Overview

Every year, about 300 of what the school calls "Santa's cousins" travel from around the world to Midland, Michigan, to attend the Charles W. Howard Santa Claus School. In this episode of Challenge Accepted, Michelle Khare joins them. They have three days to learn everything from toy making and sleigh riding to beard hygiene, reindeer handling, and "looking, sounding, and smelling the part." The final challenge is to go through eight hours of special effects makeup and fully transform into a Claus for what Khare calls the world's toughest critics: children.

15 min read

The video's central question is what the job actually requires. Khare expects the hard part to be the costume and the trivia. By the end, they conclude that the real skill is making children feel heard and seen.

1:08

The "Harvard of Santa Schools"

Khare explains that most professional Santas train at one of a handful of Santa schools, and that the Charles W. Howard school is the oldest and most prestigious. It's described as "the Harvard of Santa Claus schools," which, Khare jokes, implies there are many and this is the best.

Registration sets the tone. Attendees get lanyards and name tags, and cookies and milk are served at 9 a.m. because that's what Santa eats. Khare compares finding a seat to picking a lunch table in high school, except everyone looks the same. At one table they meet a Santa named Johnny, who is in his fourth year. Johnny mentions that the schedule includes a session on difficult questions from children. He also gives an example of a "fun question," how the reindeer fly, and his answer: they fly on starlight and moonbeams.

3:06

Building the Spirit, Not Just the Technique

The students then file into an auditorium to hear from the dean, Tom Valent. The video's narration describes him as a longtime student of the school who plays Santa locally, built an elaborate Santa house, and walks a reindeer rather than a dog when he gets home.

Valent's teaching philosophy is modest about what three days can accomplish. He says you can't teach anyone all the techniques of being Santa in that time, but you can build their spirit, and if you build their spirit, it will last a lifetime. Holly Valent, who plays Mrs. Claus and later identifies herself as president of the school, describes the goal as giving students the tools and confidence to be the best Santa and Mrs. Santa they can be. She hopes they leave "a little bit of sparkle" everywhere they go. She frames the curriculum as teaching "the heart of Santa" and "the spirit of Christmas." Tom adds that students will probably be good Santas if they keep that loving, giving spirit.

The first session is a warm-up. The students run tongue twisters such as "seven Santas sing silly songs" and face exercises that alternate a big "lion face" with a scrunched "lemon face." Then they practice "ho ho ho" in different emotional registers: joy, happiness, surprise, and interest.

5:03

Toy Making as "Tangible Experience"

The Santas are bused to a workshop, where Khare meets Santa Michael, who agrees to be a guide. The task is building a wooden toy box. Khare makes mistakes: a nail threatens to come out the side, so they start over, and at one point they smash a finger. Michael's response stays in character: sometimes making toys is difficult, and you have to keep trying.

Michael explains the purpose of the exercise. The school wants Santas to have tangible experiences so they can answer children's questions about the North Pole from memory. After this workshop, a Santa can say it's loud, that each toy takes a long time, and that when a perfect toy arrives at Christmas, the elves worked hard on it. Khare finishes the box on the second attempt.

6:49

Flight School: Learning to Be a Parade Santa

Khare is eager to "level up" to parade Santa, which the video calls one of the biggest gigs a Santa can get. In a session the students call flight school, they climb into a sleigh. The instructor shows how to hold the reins close, alternate them, and feel the tension, as if coming in against the wind for a landing. For the grand entrance, you put the reins in one hand, ring a bell, and call out lines from "'Twas the Night Before Christmas," the reindeer names, and "Merry Christmas to all, and to all a good night."

Khare admits feeling intimidated about performing in front of men with "beautiful booming voices." Afterward, they tell the camera they hadn't understood why the school included activities like this, beyond the fun. Now they see the point: when children ask about these things, a Santa has a real memory to draw on. The instructor declares that Khare passed.

9:13

The Coca-Cola Santa and the Personal Video Message

Khare asks whether Tom Valent is the Santa everyone aspires to be. The Santas reply that each Santa is somewhat individual. They also mention that there are "commercial Santas," and that one who has worked for Coca-Cola is in the room.

That Santa, also named Michael, clarifies that Coke has hired many Santas and that he has done work for the company. He describes how he became Santa. He is a retired middle school teacher who had a dream in which he was dressed as Santa beside a little girl in a hospital bed. In the dream he tapped her hand and told her it was going to be okay because Santa was there, and when he woke up he decided he should do it. He says the things that drew him to education—sharing love and joy and caring for one another—are what he now does as Santa.

He then demonstrates a technique he says he uses all the time. He asks for the names of children in Khare's family, Tommy and Maddie, and records a short personalized greeting from Santa in Midland, Michigan, promising something special this year. He says it takes 60 seconds, and children will watch it over and over again.

11:27

Santa Lee: From Elf to the Red Suit

Another Santa, Santa Lee, defines being Santa Claus "in the professional sense" as looking, sounding, and smelling the part. Lee then tells a personal story. Before wearing the white beard, Lee wore pointed ears and played an elf, wanting badly to be Santa but believing they didn't have what it took. Eventually Lee decided they couldn't deny the dream any longer, packed up the elf costume for good, and became Santa. For Lee, being Santa means being a source of comfort, love, kindness, hope, and heartfelt memories, which children carry with them for the rest of their lives. It makes Lee more honored to wear the red suit and be part of "the Santa Claus family."

Khare says Lee helped them see that putting on the red suit means spreading joy to all children, and "that means all children." The video then shows Lee signing a Christmas exchange. Later, this turns out to matter.

12:58

First Attempt in the Suit, and a Detailed Critique

Khare says that from previous challenges they have learned the value of "trial by fire." So both Michaels, called the "Kringle brothers," who have both worked as Santa for Coca-Cola, agree to role-play as children while Khare makes a first attempt in full Santa gear.

In the role-play, Khare greets the "children," asks whether they've been good, and handles a request for a Lego set shaped like Santa's sleigh. Khare's answer: there are limited-edition sets from "my collaboration," but they'll see what they can do, and at minimum the sleigh will fly right over the child's house on Christmas Eve. Afterward, Khare says the exercise was stressful, especially in front of "pinnacle Santas."

The Michaels' critique is specific and mostly about the costume:

  • The belt buckle is off-center, and the padding is visibly uneven.
  • The hat is a different material from the coat, and the reds don't match: a lighter red on top, more burgundy on the pants and jacket.
  • They like the boots but suggest a different way of wearing them.
  • The mustache was attached with microphone tape, which is why it's slipping. It hangs so low that the mouth is hidden, which they say could frighten some children.

When Khare worries about already scaring children, the Santas reassure them: these notes are about polish, not heart, and the heart was there. Khare observes that the school places a lot of emphasis on character, backstory, and improvisation.

One of the Michaels also gives a note on approach. Santa already knows the children, so instead of a generic greeting, a Santa might say something like "I think you're taller this year, you must be eating well, I'm so proud to see you growing." He points out that this states no actual facts but feels personal, so the child thinks, "he knows me." He then gives Khare a coin. Whenever they feel frustrated, which he says happens to all of them, they should pick it up, remember they're spreading joy, and keep going.

17:15

Watching Tom and Holly with Real Children

Before the final challenge, Khare watches Tom and Holly Valent with real children. Holly introduces herself as Santa's assistant and the president of the school, and tells the children she was born on December 22nd and disliked her name, Holly, as a girl. Holly says imagination is necessary for wonder, and that children always need reassurance that there is hope, love, and joy in the world. Tom says Mrs. Claus is something the world needs today, and that things work well when he lets Holly take the lead.

A child asks why elves have pointed ears. The answer given is that they need good ears to hear, in case they're checking on the children. Khare notes that children ask hard questions. One of the most surprisingly difficult parts of the challenge, they say, is needing deep knowledge of Santa lore to handle the wide range of questions, some of them bizarre or hyper-specific.

19:04

Grilled by Holly, and Trying Mrs. Claus

To prepare, Khare persuades Holly Valent to ask them her hardest questions, this time with Khare playing Mrs. Claus rather than Santa. Holly, playing a child, asks where Santa is, whether Mrs. Claus can ride the sleigh, who her favorite reindeer is, whether Rudolph's nose is hot, whether she sees the Northern Lights, and whether she can take the child to the North Pole.

Khare improvises. Santa is preparing toys. Mrs. Claus has to stay home with the elves. She can't pick favorites, but Rudolph's nose is fun. The Northern Lights are her favorite part of living at the North Pole. When asked about bringing the child along, Khare explains there's an elf "overpopulation problem," then invites the child to close their eyes, hold hands, and imagine the cold, the jingle bells, and the lights in the sky. To exit, Khare says an elf named Bernard is whispering that it's time to return to the North Pole.

Holly says Khare is a natural. Khare admits the Rudolph question was the hardest, because whatever they said felt like "canonizing the lore." Holly agrees it's a trick question. She then describes the questions that are actually hard. Children say a grandparent is dying, and you have to swallow and act as if it's okay. Children ask for their mother to get out of jail, and Holly says Tom gets tears in his eyes and gets choked up. Her conclusion is that what matters is a good heart and love for children and adults.

21:49

The Pivot to Mrs. Claus, and the Problem of Age

Khare says playing Mrs. Claus drew them to the character's warmth, kindness, and maternal energy. They also remember being afraid of Santa a few times as a child, while Mrs. Claus made them more comfortable. Holly's advice for nervous children is to bridge the distance: get physically close and down to their level so you aren't looming, because Santa can be scary. She adds that a nervous child given the choice between Santa and Mrs. Claus will likely choose Mrs. Claus.

So Khare decides to pivot to Mrs. Claus for the final challenge. That creates a new problem. Holly points out that Khare is much younger than most Mrs. Santas and will need to age up somehow, mentioning that a little boy once asked whether she was Santa's daughter. Khare calls the believable age the biggest worry.

23:01

The Final Challenge at the Santa House

The final challenge is a full Mr. and Mrs. Claus visit for a group of local children at the Santa House, which the video describes as a holiday staple in Midland, designed and built by Tom Valent. Holly explains that the line can be a couple of hours long when Santa is there. She says the house started as bare walls, that Tom hand-carved the elves, that the trains came from Germany, and that they wanted a place where everyone felt welcome.

Khare reasons that a five-minute interaction for them could become a lifelong memory for a child, so the production flew a special effects makeup team to Michigan. Holly adds a cautionary anecdote: a girl once told her she could see brown hair under her wig, so you have to be almost perfect. After eight hours in the makeup chair, Khare is ready. Tom agrees to play Santa. The plan is that Khare starts solo as Mrs. Claus, then Tom arrives and the children sit on his lap. Tom says he'll roll with whatever Khare comes up with, since Mrs. Claus can be whatever is in your heart.

The visit is lively and unpredictable. Khare uses the personalized greeting the Michaels taught, telling the children they're much bigger than last year. When one child hits another, Mrs. Claus says gently, "we don't hit." The children volunteer stories, including one about finding a frog. Mrs. Claus asks whether the child was nice to it, and the child says they didn't smash it. Another child does a flip, which Mrs. Claus ties to an elf talent show at the North Pole. Requests include a Barbie house and a puppy, and Mrs. Claus promises to check with the elves. Then the elf Bernard "whispers" that Santa is coming, and Tom enters to "holy peppermint sticks."

26:20

Brooklyn

Khare notices that one girl, Brooklyn, is shy. Mrs. Claus tells the group she used to be shy too, and Khare looks for ways to include her: giving the children bells to hold for Santa as "a big responsibility," and giving Brooklyn a gift from the North Pole. Khare then signs "Merry Christmas" to her. In narration, Khare explains they didn't know at the time that Brooklyn communicates with sign language, and credits their Santa mentors with preparing them for it.

Looking back, Khare says they had spent so much time worrying about what questions children might ask, but the job turned out to be about making children feel heard and seen. Their closing view is that whether or not you believe in the magic of Santa, its impact on children and adults of all ages is undeniable, and that this is the true spirit of the holidays.