A Self-Described Skeptic's First Ghost Hunt at the Warner Grand Theatre

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Overview

On this episode of Challenge Accepted, Michelle Khare spends a night at the Warner Grand Theatre in San Pedro, California, on the first paranormal investigation of their life. Michelle opens by calling themself a "ghost skeptic" who is nonetheless terrified of horror. They hadn't slept in a week after watching Squid Game and describe themself as very easily scared. The episode follows how that skepticism holds up against a night of equipment readings, unexplained noises, a spirit box session, and one physical event that even the experienced investigators found striking.

12 min read
0:20

The Team and the Building

Three guides join Michelle. Brandon Alvis, from A&E's Ghost Hunters, has been investigating since 2006. Craig Owens is the author of Haunted by History Volume 1. Kevin Otte says he has been investigating for 12 or 13 years, mostly across the Midwest and West Coast. Kevin frames the night as a "real paranormal investigation" with a strong emphasis on scientific principles, using devices "more scientific in nature."

Craig supplies the history. The Warner Grand opened on January 20, 1931, during the Great Depression. He says it was the first Warner Brothers theater built specifically for talking pictures. He also explains why historic buildings appeal to him. For him there is a romanticism to the past that feels like time travel: he wants to hear its sounds, meet its people, and here, see its movies. He suggests the past may not be "quite as dead as we're told," and that a memory or a personality from it might still linger.

1:21

EMF Meters and the Problem of a Natural Explanation

The first tool Michelle learns is a K2 meter, which detects electromagnetic energy. EMF stands for electromagnetic frequencies or fields, which the investigators note are everywhere, from both natural and man-made sources. As the reading rises, the meter's lights climb and change color. Holding a cell phone against it sets it off, which the team demonstrates on the spot.

At the first reported hot spot, a place where employees and others have described experiences, the meter starts reading within about three minutes. The investigators immediately caution against treating this as evidence. The reading is consistent rather than fluctuating, and they say that pattern points to something natural, likely wiring underneath, rather than something supernatural.

They then raise a theory that cuts both ways. Some people are more susceptible to EMF, and they say high levels can cause hallucinations, skin rashes, nausea, a high heart rate, and headaches. That could explain some of the ghost stories attached to the building. The alternative they offer is that high EMF might "fuel" entities. They say you can look at it from either side. Michelle jokes that the spot might be a "big food trough," a "delicatessen for ghosts."

The Projection Booth and Mr. Lord

Craig describes a recurring report: a darting shadow figure that comes from one of the wings and shoots up toward the projection booth. Before they go up, someone says they sense "someone or something" watching from that area.

In the booth, Craig tells the story of a longtime projectionist known only by the last name Lord. Mr. Lord died about ten years ago. According to Craig, he is not supposedly present all the time, but he loved the space and "checks in periodically." Craig also mentions a video from a previous paranormal team's investigation that he found "authentic enough." In it, a film spool, which he indicates was fairly large, apparently flew off a shelf and hit a wall.

The investigators confirm that nobody has used the name "Mr. Lord" in an investigation at the theater before. They decide Michelle, as a first-timer, should be the one to address him later. While in the booth area, Michelle says they heard something drag across the floor and a deep breath. None of the others heard it.

Starting a Session on Stage

With the lights off, Kevin leads the group to the stage. He says that in theaters they have had success setting up devices on stage, giving the space some room, and starting a dialogue. Two more devices come out:

  • Para-Light: an EMF detector similar to the K2. It also makes sound, which Michelle compares to Las Vegas. It spikes heavily here, and they again attribute that to the area's high EMF.
  • EDI Plus: described as a "Swiss Army knife of the paranormal." It registers temperature, pressure, humidity, vibration, and EMF.

The team stresses showing respect to the building and to any possible entities. Brandon opens with his name and says he comes "with the fullest respect for yourself and this theater." Michelle follows by saying they come in peace and want to leave with a better understanding of "who or what you are." The investigators explain to whatever might be present that the devices are tools for conversation and will not cause harm.

They then ask any presence to push the lights on the pink-lit meter all the way to the top. At one point it climbs halfway. Michelle checks whether the team is doing anything, and they insist they would never fake a result. When Michelle asks if a phone could be setting it off, the investigators answer that the device stayed quiet while no questions were being asked. A phone, they say, would trigger it the whole time.

Control Questions and a Loud Crash

Michelle asks how they would know who they are talking to. The answer is "control questions," targeted prompts such as "If you're a female, can you make that device blink again?" Mid-explanation, a loud boom comes from high above the stage. The group says it sounded like a set piece or set wall falling over, and the meter goes off again around the same moment.

The investigators choose to stay in the session rather than chase the noise immediately, noting they can find its source later. One adds that in some investigations, activity in one area seems to draw people toward another. When Michelle is prompted to ask about Lord, the device responds strongly. The team agrees it was "weird."

10:51

The EVP Burst Session

Next comes an EVP burst session. EVP means electronic voice phenomenon. The approach is to start recording, ask two or three questions, and play the audio back right away. The investigators explain that EVPs usually aren't heard in the moment. They tend to emerge later during audio and video review.

The questions include whether the presence knew Mr. Lord and whether there is something it wants to show them. On playback, the group hears what they describe as something like a breath, which they don't think came from anyone present. Around the same time, the EDI Plus registers changes in pressure and temperature along with EMF, and someone says it's "going crazy." They invite any presence to come forward, or to raise the lights higher if it wants them to move. Then they relocate. Before leaving, they agree the big crash was real and still needs explaining.

12:31

The Spirit Box, With a Skeptical Caveat

The most elaborate test uses a spirit box. It scans rapidly through radio frequencies, and proponents claim spirits can manipulate the resulting white noise to answer questions or speak words. Michelle sits in a chair alone in a room, blindfolded, with earphones plugged into the device. The investigators step away, ask questions, and Michelle says aloud any words or voices they hear.

One of the investigators states openly that they are not a fan of the device. Because it is all radio frequencies, anything captured would be declared "contaminated" if handed to a third party such as an audio engineer. Still, they expected some interesting tests from it that night.

During the session, Michelle reports several fragments. First comes a pitched voice saying something like "Oh no." Next is a male voice that comes through "super clear" after the team asks a presence to let Michelle know it is nearby. At the end there is a female voice that seemed to be agreeing. Michelle describes the experience as overwhelming: a loud, constant whooshing, and then a voice out of nowhere. The investigators decide not to keep going much longer. Their last question is whether anything wants to tell Michelle something before they shut it off. Afterward they point out that the female voice came right after that question.

Asked for an overall impression, Michelle says the voices "probably were" radio fragments. What stuck with them was a quality they couldn't place: a "transatlantic," 1950s-style tone, the way people sound in old movies. Michelle says that wouldn't be on the radio in 2021, and no music came through. Both Michelle and the investigators conclude it is inconclusive and may mean nothing in the end.

16:46

Calling Mr. Lord by Name

The group returns to the projection room. Michelle says the persistent feeling of being watched everywhere was unnerving and that many places felt "heavy." The investigators agree the booth now has a heavier vibe. Since Mr. Lord's name has never been used in an investigation there, they turn off all camera lights for the greatest effect.

Brandon opens with the same respectful introduction and hands over to Michelle. Michelle says they are a big movie fan and that it's wonderful to be in his space. They ask Mr. Lord to make himself known and explain that the theater's general manager only knew his last name. Then Michelle asks for his first name or the name he prefers. One investigator says they sense something present but hanging back and observing.

19:10

Something Moves on the Stage

Then comes the night's most dramatic moment. Someone shouts that something just flew off the stage. A large pillar-like object on the stage moved, and at least one person says they saw it with their own eyes. The group hurries down. They say nobody had been on the stage for a long time, and the object had been there when they were down there earlier.

One of the investigators says it was the first time they had ever seen something move with their own eyes, and that they had kept feeling something was down there while they were up in the booth. On stage, the team examines the fallen object and a similar one standing nearby. That second one looked as though it would have fallen too had it not been caught. According to a theater employee, the fallen object weighed 120 pounds.

The investigators test the nearby piece themselves. Even when they set it straight up, it leans back, and when they pull on it, it rocks back the same way. Their reasoning is that it should most likely have fallen backward, not forward off the stage. They also say wind couldn't have done it and that there was no wind. The experienced investigators say they are "very impressed." They add that in the paranormal world, you're lucky to witness something like this.

20:28

Where It Leaves the Skeptic

Asked whether they are a believer now, Michelle doesn't claim conversion. They say only, "I don't know what's going on." When Craig half-jokingly suggests splitting up, Michelle points out that's how every horror movie starts.

The episode's closing reflection comes from one of the investigators: believers and non-believers have one thing in common, because "they see and hear what they want to see and hear," and somewhere between the two is the truth. Michelle thanks the team, calls it an honor to learn from them and watch them work, and leaves with the crash above the stage and the moving object still unexplained. They also add that they'll never sleep again.