Wunmi Mosaku's Event-Ready Skin Care and Everyday Audition Makeup

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Overview

In this Vogue "Beauty Secrets" session, actor Wunmi Mosaku walks through two routines. The first is a skin care routine she says is not daily. It is a more involved one for periods when she is wearing a lot of makeup and attending many events. The second is a quick everyday makeup look, which turns out to be what she wears to auditions. Along the way she talks about her upbringing, her path into acting, recent roles, motherhood, an interest in herbalism, and a clothing line she is launching.

7 min read
0:33

From Cocoa Butter and a Fishing-Net Sponge to a Real Routine

Mosaku opens with a cleanser from Shea Radiance and immediately breaks the pump. She laughs it off: people assume she is cool and collected, but she calls herself "chaos."

Next is a black seed toner from S'ABLE, which she says she loves for its smell. This leads her to describe how she grew up. Her mother, she says, is "so au naturel." The family's skin care was cocoa butter, Vaseline, soap and water, and African black soap, with no real routine. She used to scrub her face with a sapo sponge, which she compares to a fishing net. By her own account she was not gentle with her face until around the pandemic.

The third step is Shiseido's activating essence. Unlike the routine as a whole, this is a product she says she uses every single day.

1:37

Becoming an Actor Without Seeing Herself on Stage

While applying products, Mosaku explains how she got into acting. When she decided to become an actor, she expected a career on the stage. She did not see many people who looked or felt like her. She also did not see stories about people like her: people who moved from other countries at a young age, and the nuances of being Black and British. She says she became an actor without really knowing what was ahead. She only knew she loved stories and loved theater, which she calls her "number one love." Her big dream was to be a theatrical actress doing Shakespeare. She admits she has not done a play "in way too long." She describes the choice as a gamble and a risk, approached with a "let's see what happens" attitude.

Next she applies a stem cell face serum from Uzo, a couple of pumps, which she says sits nicely under makeup. She says she simply loves her job: being on set and the stories being told. She is open to anything that moves or changes people. The work she does is very different from much of what she watches, which gives her a broad appreciation of the industry. She mentions loving comedy and musicals.

3:17

Treating Dark Spots, and the Toll of New Motherhood

The next product is another Shea Radiance item, a face oil with baobab oil and vitamin C. She uses it to fade dark spots. Because she has rarely left the house since having her baby, she has been wearing glasses, and the nose pads have left marks. She is using the oil to brighten those areas.

She points out what the products share. They source their ingredients from West Africa, and they are all Black-owned and woman-owned. She finishes the skin care steps with Uzo's stem cell moisturizer, which she says makes makeup "really zing" on top.

On whether her skin has changed, Mosaku is unsure. She does say her under-eye bags have grown bigger and darker, and that exhaustion shows on her face more since becoming a mom.

4:27

A Homemade Body Butter and a Herbalism Course

She then shows a homemade body butter. It is not for sale; she makes a batch every couple of months. The ingredients are shea butter straight from Ghana, coconut oil, cocoa butter, and sweet almond oil. She adds whatever essential oil she likes at the time, such as lavender or orange, then whips it into a butter. She uses it on her body every day.

Mosaku says she is personally drawn to things that are more natural and holistic. That interest connects to her role as Annie in Sinners, a herbalist. She has since been taking a herbalism course and learning which herbs are good for the skin, digestion, the immune system, and more. Now, when she sees ingredients like babassu oil, shea butter, or calendula on a label, she recognizes what they are good for.

5:35

The Audition Look

For makeup, she starts with a Lancôme concealer, which she thinks is called a skin glow serum concealer. She says she doesn't wear much makeup and reveals that this is her audition look. She applies concealer under the eyes, on the chin, and in a few other spots.

This prompts a memory of Sinners. On that film, she says, her makeup was basically a tinted oil on the skin. She found that welcome because it was so hot and everyone was sweating heavily. Dealing with concealer and foundation in that heat, she says, would have been "game over."

She adds a dot of product as her "version of contouring." She admits she doesn't know if it does anything, but it makes her feel like it is doing something.

6:35

Contrasting Characters and Their Makeup

She recalls a film made last year with Idris Elba, where the makeup call was very long. That character was in full glam, which felt to her like red carpet glam every single day.

Next comes a Pat McGrath product, which she again notes is Black-owned and woman-owned. She first calls it a blusher, then corrects herself to bronzer, and applies a little.

She contrasts that glam role with her character in The Social Reckoning. That character is buttoned-up and very professional, so the makeup was simple: a nice eyeshadow and a nice eyeliner. Mosaku describes the character as someone not trying to make a splash who still needs everyone to take her seriously. She calls her a kind of ringleader everyone looks to, or "the conductor."

She then applies liquid eyeliner, pleased that it "wasn't too bad." She adds a bit more concealer over one of the glasses-pad marks.

7:51

A Nursing-Friendly Clothing Line

Mosaku mentions she is launching a maternity and nursing line, which the transcript renders as "Iyadé by Wunmi." Every piece is nursing-friendly, so the clothes can be worn well past postpartum. She wears them herself because they are good at hiding messy toddler food spills while still looking cute. She points to a fabric made with adire, which she explains means "to tie and dye" in Yoruba. She has been designing the fabrics herself, which she describes as what she does in her spare time.

8:20

Finishing Touches

She applies Lancôme Flutter Extension mascara and then considers S'ABLE lip balms. She thinks about the Scotch Bonnet shade but chooses Jollof, approving of its "cute little tint." With that, she presents the finished audition look and closes with, "Let's hope I get the role."