From a ¥5,000 Casio to a Patek Philippe: Shunsuke Ishikawa on Choosing a Watch as Fashion

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Overview

Fashion designer Shunsuke Ishikawa (of MARKAWARE/marka and cash&barba) starts with a pointed question: is your watch actually stylish? Many people care about their clothes and then pick a watch without much thought. Others go too far into obscure watch-enthusiast territory, or treat a watch mainly as a status symbol. In this session, Ishikawa walks a colleague, Eddie, through picks at budgets from roughly ¥5,000 to over ¥2 million. The selection is meant to fit a fashion context rather than a watch-collector one. Ishikawa's core position is that you need neither special sense nor deep knowledge. Wearing something fairly standard, worn casually, is best. Ishikawa also admits that a smartwatch is basically enough for daily life now.

30 min read

Why fashion people don't go "geeky" on watches

Eddie, who wears an Apple Watch, says they want a watch but don't trust their own sense. They don't know the categories and are afraid of choosing wrong. Ishikawa says knowledge isn't really required. Inside the fashion industry there is a kind of tacit consensus about which watches are good. These are the pieces people in the industry have worn for years, and, surprisingly, they are rarely off the mark. By Ishikawa's account, choosing from watches Eddie already knows by name is plenty.

Ishikawa gives a half-joking explanation for why fashion people don't obsess over watches: they have to spend so much on clothes that the leftover watch budget is small. Ishikawa's own view is that an Apple Watch is basically sufficient. Ishikawa also dislikes piling on jangly accessories, and sees the wristwatch as roughly the last accessory left to men. That is the lens for the whole session.

From there Ishikawa sets out a few guiding principles:

  • Avoid overly minor, geeky brands. Watches that enthusiasts consider major can be quite obscure from a fashion standpoint, and you don't need to reach for them.
  • Avoid busy, cluttered designs. The flashy, blingy era had its moment, but it doesn't match current fashion.
  • Stay within the fashion context. Japan's magazine and select-shop culture has curated watches for years, and following that track record is the safer bet for fashion-minded viewers.
  • Own a few watches for different settings. If a smartwatch covers everyday life, add one dressier watch as an accessory for going out and one for formal occasions. About three is enough. If you truly can't decide, Ishikawa says an Apple Watch alone is fine.

The ¥5,000 tier: cheap Casio

Ishikawa says the first thing that comes to mind under ¥10,000, even among select-shop offerings, is the cheap Casio. The pick is the Casio AE-1200WHD-1AJF, nicknamed the "Casio Royale," at ¥7,700. Ishikawa praises how many proper functions it packs in for the price. It has a world map and can display the time in 48 cities, with four preset cities that you cycle through at the press of a button. Ishikawa jokes that the presets are Tokyo, New York, London, and Paris, and wonders what era that West-leaning selection comes from.

On the nickname, Ishikawa explains it has nothing to do with Casino Royale the film. In Octopussy, Roger Moore's Bond reportedly wore a Seiko digital watch. This Casio resembles it, and the "Casio Royale" wordplay grew out of that, which Ishikawa calls quite a stretch. Ishikawa also suggests cheap Casios make good gifts on trips abroad. In Southeast Asia in the past, and recently in Peru, small Japanese items are said to be welcome, so a ¥7,700 watch works as a souvenir. Ishikawa also mentions the Casio A159WA-N1JH from ¥4,400 and notes that cheap Casios have become trendy in recent years. Ishikawa likes their Shōwa-era feel.

The ¥10,000 tier: G-SHOCK and the story of 1983

In this range Ishikawa says one watch can't be left out: the Casio G-SHOCK DW-5600UE-1JF, the "Original Square," at ¥14,300. Ishikawa calls it the top pick at this budget and the watch of Japanese street style from the '80s into the '90s. It retains the most of the flavor of the original DW-5000C, released in 1983. Ishikawa especially likes its small size. Lately Ishikawa doesn't want a big watch, and this one is so compact you almost forget you're wearing it. Ishikawa adds that wearing a G-SHOCK with a suit became normal during its heyday, and nobody finds it odd now. Ishikawa bought one right after seeing the commercial in which the watch was struck with an ice-hockey stick.

Ishikawa then reminisces about 1983 as a time when Japan was "sparkling." The Famicom was born that year, and the Walkman had come out a little earlier. Ishikawa calls 1983 a pivotal year for watches because Swatch launched the same year as the G-SHOCK.

Ishikawa gives a potted history. Japanese quartz watches from Seiko and Casio swept world markets in the 1970s and pushed the Swiss industry into crisis. By Ishikawa's account, the number of Swiss watchmakers fell from about 1,600 to about 600. The Swiss industry had relied on horizontal division of labor, with many separate companies handling each process. Then someone who had consulted for brands like Omega and Longines pushed to vertically integrate, building companies that could do everything from making movements to retail. Swatch was the cheap watch Switzerland decided it needed. In Ishikawa's telling, the money from selling Swatches in huge numbers let the industry push its expensive watches ever higher, and this roughly triggered today's Swiss luxury watch sector.

Ishikawa draws a direct parallel to fashion. Japan's textile industry is also made up of many small, horizontally divided firms, and it shrank dramatically once China took away work. For about the last ten years Ishikawa has been urging people in production regions to vertically integrate. Ishikawa sees the watch industry as a precedent for this and hopes Japanese textiles might one day become like the Swiss watch industry.

A playful accessory and a budget smartwatch

As a second ¥10,000-range pick, Ishikawa chooses something deliberately playful: the Laphont Square Melting Watch, Small, Silver, at ¥17,300. Ishikawa bought it after it kept appearing on social media. It is an homage to a watch from a certain French "C" brand: the Crash watch of 1967. Ishikawa had long searched for the Crash and describes it as super cool. The story circulating on social media, according to Ishikawa, is that it recreates a watch warped in a car accident, distorted like a Dalí clock. Ishikawa says one of those originals recently sold for over ¥100 million. Laphont makes about two types, one close to the Crash and this one, a distorted Tank-style case. The Small is roughly a women's size, but Ishikawa thinks small sizes look cute on men today when worn as an accessory. Ishikawa frames it as an accessory that happens to tell time. It is also cheap enough that losing or damaging it isn't a disaster.

The third pick is a smartwatch: the Xiaomi Redmi Watch 6 at ¥11,980, released at the end of May. Ishikawa emphasizes three points compared with the Apple Watch. It is much lighter. It costs about a tenth as much. The battery lasts over a week with normal use, while the Apple Watch needs daily charging. Ishikawa has only had it a few days but hasn't charged it once, and after three or four days the battery was still above half. Ishikawa considers this crucial for a smartwatch. You ideally wear it while sleeping to log sleep, and this model has fairly full health features. Ishikawa also often forgets the Apple Watch charger on business trips and loses the watch for days. With this one, a week-long trip needs no charger. Ishikawa thinks the quality is now plenty good and that swapping the band changes its look a lot. One reservation: Ishikawa would have liked it one size smaller, and guesses its larger size relative to Ishikawa's 42mm Apple Watch is due to battery capacity.

The ¥20,000 tier: Braun and German minimalism

Ishikawa notes that watches available at around ¥20,000 have become quite few. The pick is the Braun BN0021 Leather at ¥26,400. It is based on Dieter Rams's design philosophy, a reworking of an earlier design, with a Japanese movement inside. Ishikawa wishes it were a bit thinner. Its defining feature is the absence of conventional lugs, the parts where spring bars hold the strap. Ishikawa likens it to a wall clock turned directly into a wristwatch, a symbol of German minimalism. Ishikawa clarifies that Rams wasn't directly connected to the Bauhaus but worked under that philosophical influence.

Ishikawa's fashion read is that the trend wave of German minimalism from the Bauhaus, and later American minimalism in the art world, is now near its tail end. Wearing a watch like this casually now is a way to enjoy roughly the last window of that trend. Ishikawa says it pairs perfectly with brands like Jil Sander.

The ¥30,000 tier: Timex and the beloved Benrus

For roughly ¥27,000–¥39,999, Ishikawa picks the Timex Harborside Coast Automatic (TX-TW2V72100) at ¥29,700. Ishikawa says Timex used to fit the ¥10,000–¥20,000 range, but price increases have pushed it up. Timex is a Connecticut watchmaker with more than 170 years of history, going back to the pocket-watch era. Ishikawa says its popularity grew from 1950s "torture test" ads, in which watches were hit with a baseball bat or wrapped around a boat propeller. Ishikawa suspects these may have been something like the source material for the G-SHOCK advertising. In men's fashion, the best-known Timex is the disposable plastic military watch. Its battery couldn't be replaced, and it had a 12-hour outer scale with a 13–24-hour inner display.

Ishikawa chose this model because it is an automatic you can buy at this budget, and it shows the movement through the caseback. That makes it, along with a Seiko, a good first mechanical watch in Ishikawa's view. The "Pepsi"-style design is just barely wearable, and Ishikawa finds its slight cheapness interesting. It looks entirely like a diver, but it is only 5 ATM water resistant, fine for splashes while washing your hands. Ishikawa reads the name "Harborside" as a witty hint not to go into the water.

Ishikawa then introduces a quartz version of Ishikawa's single favorite watch: the Benrus Type II Silver at ¥34,300. Ishikawa owned a genuine Vietnam War–era Benrus and wore it constantly. It stopped running, and because it is very fiddly to repair, Ishikawa never sent it in. Now it has gone missing and needs a proper search. The Benrus rights changed hands at some point. According to Ishikawa, an American lawyer who is a big watch enthusiast and handles licensing bought them and is reviving the brand.

Ishikawa explains the history. Around 1970, during the Vietnam War, Benrus built a diver's watch to a military specification, MIL-W-50717. It was sold only to the military and worn by groups like the Green Berets. As a lover of Vietnam War history and fashion, Ishikawa calls it the ultimate watch. The stainless case is fully sandblasted matte so it won't glint, the dial is very simple, and the case is asymmetric. Ishikawa considers it the greatest diver's watch ever and describes it as rugged yet beautiful, well balanced, and on the smaller side. Ishikawa's brand once made a Benrus-like watch with a Japanese watchmaker. They had to alter the design so it wouldn't infringe the registered design, and longtime fans may own one. There are Type I and Type II versions distinguished by the dial, and Ishikawa prefers the Type I.

The ¥40,000–¥50,000 tier: MoonSwatch and how Swatch fed resale culture

Next is the Omega × Swatch Bioceramic MoonSwatch "Mission to the Moon" (SO33M100), officially ¥41,800 in Japan. It recreates the 42mm Speedmaster Moonwatch in a bio-based ceramic case with a quartz movement. It is much lighter than a real Speedmaster and comes on a velcro-type strap bearing the Speedmaster name. Ishikawa says there is no mystery about the collaboration: Omega and Swatch are both in the Swatch Group. By Ishikawa's reading, it is designed as a funnel, so buyers will later want a real Omega Speedmaster.

This prompts another memory from Ishikawa. When Swatch took off, what fashion people noticed most was the Keith Haring collaboration of 1986, sold at places like BEAMS, whose price then skyrocketed. Until then, Ishikawa says, newly released products didn't command premiums to that degree. Ishikawa places the origins of today's premium pricing and secondary market in Swatch. After Keith Haring, Swatch released the Scuba and Chrono models in poppy colors. They sold like crazy, and people who would now be called resellers began buying them abroad and selling them in Japan at a premium.

Ishikawa connects this directly to sneakers. The period just before Ishikawa's circle started buying sneakers was the Swatch era, and many young people were working that scene. When Ishikawa's group began digging out sneakers, those Swatch traders took an interest, rushed into sneakers, and overran the scene, so Ishikawa's group quit. Some of them later opened sneaker shops in what became the Ura-Hara scene. Ishikawa sees Swatch at the headwaters of today's sneaker boom, a current that has kept accelerating over roughly 30–35 years. The MoonSwatch is probably Ishikawa's first Swatch purchase since then. Ishikawa likes its light weight but notes, with some amusement, that the Omega branding is on the inside while the Swatch side faces out. Ishikawa adds that they don't have much Omega love anyway.

Ishikawa then turns to what they call the biggest recent talk of the watch world: the Swatch × Audemars Piguet "Royal Pop," about ¥57,000 at retail. Ishikawa says it drew huge lines worldwide in mid-May and now trades for ¥300,000-something at a premium; Eddie hadn't heard of it. Unlike the MoonSwatch, this collaboration is with a company outside the Swatch Group. Audemars Piguet carries an image of being very trendy around the '80s, and people in that scene have started wearing it again. Ishikawa describes the Royal Pop, apologizing for being blunt, as looking less like a wristwatch than a flashy version of the stopwatch a P.E. teacher once timed you with. Ishikawa bought one abroad.

Ishikawa's warning: Swatch has not called it a limited product. According to Ishikawa, it launched simultaneously everywhere, but Swatch says it will keep dropping stock into stores guerrilla-style over a few months. So even at today's premium prices, there's every chance you could still buy one new. The store abroad had units displayed out front, but they weren't for sale, and staff said more would come in without knowing when. Ishikawa adds that a watch worn around the neck somewhat defeats the purpose, and jokes about Flavor Flav as the originator of wearing a clock around the neck.

A casual staple: Hamilton Khaki Field Mechanical

Ishikawa places the Hamilton Khaki Field Mechanical, 38mm, hand-wound (H69439933) at ¥75,700 at the edge of this range. Ishikawa asks whether any watch suits casual dress better than this military-style piece. Ishikawa likes hand-winding as a morning ritual that sets the rhythm of the day. This model has an 80-hour power reserve, so a watch wound for the weekend is still running on Monday. Ishikawa calls it "the staple of staples," still available under ¥100,000 despite price rises. With a ¥100,000 budget, Ishikawa suggests, you could buy the Hamilton and still afford one of the cheaper picks alongside it.

The ¥100,000 tier: the Apple Watch as the only answer

For roughly ¥80,000–¥179,999, Ishikawa says there is really only one choice: the Apple Watch. According to Ishikawa, there aren't really any "just-right" watches around ¥100,000 anymore. Ishikawa recommends the 42mm size, which Ishikawa considers the best right now since smaller is better. In titanium with a silver-toned loop band, it comes to about ¥122,800. Ishikawa's reasoning is that if a wristwatch's role today is a wrist-worn information terminal, this is where you end up. It reduces how often you pull out your phone, and many people now use it as a health device.

Ishikawa tells a personal story. In Peru, carrying a backpack stuffed with a drone, a DSLR, a 70–200 lens, and two cameras, Ishikawa was walking through desert cotton fields when the Apple Watch warned of a dangerous heart rate for the first time. Ishikawa was indeed feeling woozy. Ishikawa values that it can alert you to your own emergency. Ishikawa hopes it will gain blood-glucose readings, while acknowledging that seems difficult. If it does, Ishikawa predicts, the middle-aged generation will be thrilled.

A deliberate exception: YEMA Superman and the case for GMT watches

Having warned against minor brands, Ishikawa says they will make an exception with the YEMA Superman Heritage. The Superman line is frequently on sale, at around ¥150,000–¥160,000 sale price. Ishikawa owns a slightly older model bought in 2021 or 2022 for about ¥60,000 on sale. From a distance it resembles an Explorer II or Submariner, with a slightly small case.

According to Ishikawa, YEMA was once France's largest watchmaker. It has shrunk considerably but still develops and makes its own movements. Seiko reportedly invested in it at one point. It is based in Morteau, right on the Swiss border, roughly between Geneva and Basel, in an area where you can hardly tell France from Switzerland. Ishikawa notes such places tend to have clean water. YEMA was strong in motorsport watches, supplied the French military, and was used by French astronauts, racing people, and pilots. Ishikawa also mentions a story, while questioning whether it is official, that Richard Mille worked as YEMA's overseas sales representative before founding his own brand. Ishikawa's model is a GMT diver with 300m water resistance, which Ishikawa compares to the Submariner standard. Ishikawa is amazed to have gotten it for about ¥60,000.

Ishikawa bought it for overseas trips. It is tough, fine in water, and cheap enough that losing it would be acceptable. A watch worth hundreds of thousands or over a million yen would be impossible to give up, and could get you robbed. This leads into Ishikawa's favorite complication, the GMT. Ishikawa explains it as a watch with a fourth hand that makes one full turn in 24 hours and points to a second time zone. On a trip, you set the GMT hand to Japan time and the regular hour hand to local time. The 24-hour scale tells you at a glance whether it's day or night at home. Watches like the Explorer II also have a 24-hour rotating bezel, so they can show three time zones.

Ishikawa's key argument concerns smartwatches and radio-controlled watches. With an Apple Watch, you could probably adjust the time from the phone, but in practice the time doesn't change until you arrive and the phone picks up local time. Radio-controlled watches also update only after you've been at the destination for a while. With a GMT, you set the local time in advance on the plane. Ishikawa calls this hugely important for preventing jet lag. If it's noon at your destination, you stay in a noon mindset and stay active with reading, movies, food, and plenty of coffee. After landing, you can also see instantly what time it is in Japan when you need to contact home. Travel is the theme of Ishikawa's life, which is why Ishikawa loves GMT watches.

Ishikawa also shows the day's biggest and heaviest watch, a stainless steel piece about the size of a G-SHOCK: the Seiko Prospex Kinetic GMT Diver (SUN019P1), an overseas-market model. It uses Kinetic generation, charging its quartz movement through motion somewhat like an automatic. It is water resistant to 200m, which Ishikawa gives as a best recollection, and it has a GMT hand for two time zones. Ishikawa admits that despite choosing watches they won't mind losing abroad, they really do lose them. The previous model was left at a hotel in San Francisco. Ishikawa travels to fairly remote places and wants a watch usable there without worry.

The ¥200,000 tier: Apple Watch Hermès, and a note on wrist size

Ishikawa again chooses the Apple Watch, this time the Apple Watch Hermès. Ishikawa calls ¥100,000–¥200,000 an awkward price range where worthwhile watches have dried up. Rather than reaching for watch brands in that range, Ishikawa would sooner replace an Apple Watch about every two years. Ishikawa says, admitting it is harsh, that the Hermès version mainly differs in nicer watch faces and a fancier box, and the price gap for that is steep. You can buy it at Hermès stores, which have Apple Watch corners. Ishikawa currently uses a gold leather strap in black and wants another strap that is hard to find now. That strap costs ¥120,000, which would push the total toward ¥300,000.

Ishikawa adds a warning about straps. Ishikawa's wrist used to be very thin. Veins once bulged visibly, and nurses commented on injections, but now they're barely visible. Ishikawa's wrist has thickened with weight gain, old watches feel snug, and some 40mm straps won't even wrap around. Even so, Ishikawa still thinks the 42mm size and smaller watches generally look good now.

The ¥300,000 tier: the Benrus Type I Mil-Spec revival

Ishikawa says prices at this level have become somewhat outrageous. Ishikawa returns to Benrus with the Benrus Type I Mil-Spec at ¥321,752. It was issued to U.S. forces around the Vietnam War and worn by Green Berets and Navy SEALs. Ishikawa prefers the Type I because its dial uses dots rather than numerals. According to Ishikawa, the special forces themselves also reportedly favored the Type I. The revived version is water resistant to 370m, usable as a serious diver. It runs on a Swiss automatic ETA 2892 movement from the Swatch/Omega group's movement company, which Ishikawa describes as a stable, sturdy movement used by Omega, Cartier, and others.

The original had to be opened from the dial side with a special tool, which made repairs difficult. The revival should be easier to service. Ishikawa's fashion rationale: many brands are now making jungle fatigues, and if you wear jungle fatigues, you should wear a Benrus.

The ¥500,000 tier: Cartier, a vintage Speedmaster, and a Grand Seiko GMT

At around ¥500,000, Ishikawa says you can just barely buy a watch people actually covet. A new Swiss watch has become nearly impossible at this price, so Ishikawa suggests looking at used ones. Ishikawa divides the brands fashion people wear into two groups: watchmakers and accessory or jewelry houses. Among the latter, Ishikawa considers Cartier the representative for beauty and elegance. For the same money, Ishikawa would choose Cartier over Hermès or Chanel as a watch.

The pick is the discontinued Cartier Tank Divan, 32mm. Ishikawa admits it is a slightly twisted choice after urging people to stick to staples. The gold version has become too expensive for this budget, but the silver version can be found used for around ¥500,000. "Divan" reportedly means a long chair, and the case is horizontally elongated. Ishikawa loves that the case and strap together look like a leather bangle. It is formal enough for ceremonies, yet it has a slight rock vibe. Ishikawa says it looks good peeking out from a suit cuff, or worn alone with a black T-shirt. Ishikawa adds that a regular Tank is also nice.

Despite disliking busy dials, Ishikawa includes the Omega Speedmaster "Mark 40" as a staple many fashion-industry people wear. The model commemorates the Speedmaster's 40th anniversary; the Speedmaster was introduced in 1957. It has slightly poppy coloring. Ishikawa notes that new Speedmasters now cost over ¥1 million, while this older model can be found used within a ¥500,000 budget, and its small case size is a plus. Ishikawa jokes that nobody actually uses the chronograph. Hardly anyone measures speed over a set distance or units produced per hour, and a timer is better for instant ramen. Ishikawa uses a timer all the time, for example for 30-second stretches, but rarely a stopwatch.

The third pick here, at ¥671,000, is the Grand Seiko SBGM221, a GMT model. Ishikawa has wanted it partly because Mr. Hirota, editor-in-chief of the watch magazine Chronos, called it a "reverse rip-off watch" on YouTube, meaning a tremendous bargain. According to Ishikawa's account, Hirota said he had seen overseas watch-industry people wearing it at a watch fair abroad. Ishikawa finds it cool but remains torn between buying it and buying an Explorer II.

The ¥1,000,000 tier: Grand Seiko White Birch and a missed Explorer II

At this level, Ishikawa suggests either a top-tier domestic watch new or a good used watch, not limited to Swiss ones. The domestic pick is the Grand Seiko SLGH005 "White Birch" at ¥1,276,000. Ishikawa says its build quality is far better even compared with Rolex, while conceding that comparing it to the older Rolexes on the table isn't quite fair. Ishikawa briefly notes that Grand Seiko made a strong impression on the watch world around 2020–2022 with this caliber, while promising not to get geeky. Ishikawa praises the beautifully polished stainless steel, the balance of hairline and polished finishes, and the dial evoking white birch, which feels symbolically Japanese. Ishikawa calls it one of the first options for anyone wanting a fine Japanese-made watch.

Ishikawa then introduces, "with regret," the Rolex Explorer II 16570, the third generation. Ishikawa meant to buy one for this video, since it seemed obtainable under ¥1 million and is sold fairly cheaply abroad, but kept putting it off. Ishikawa has a soft spot for the word "explorer," a childhood ideal. The original Explorer was worn by climbers on Everest. For polar expeditions, however, the midnight sun made it impossible to tell day from night on a 12-hour dial with no date. The Explorer II addressed this by adding a GMT hand and a date. It was also marketed for cave exploration. Ishikawa says it may be the least popular of Rolex's sports models but loves its design. The 16570 was produced for a long time and is well balanced, since later versions enlarged the dial. As a GMT it suits overseas trips, though Ishikawa notes that in some countries you can't really wear it.

Above ¥1,000,000: vintage Rolex and the Patek Philippe Calatrava

Ishikawa says Rolex sports watches once comfortably available for around ¥400,000 now sit around ¥2 million. The first is the Rolex Explorer ref. 1016, a vintage "four-digit" reference. From the '80s, Ishikawa says, the Explorer was the pinnacle of watches worn by fashion-minded people: small, simple, a pursuit of minimalism in a stainless watch, and full of story. It fits Ishikawa's "pick something basic" advice. Ishikawa thinks prices have roughly peaked for now but doesn't expect them to drop much, and suggests there may still be slight room to rise because surviving examples keep dwindling. Ishikawa therefore considers holding one not a bad idea.

Next is the Rolex GMT-Master ref. 1675 with the blue-and-red "Pepsi" bezel. Ishikawa describes it as a watch whose price rose explosively starting about ten years ago. According to Ishikawa, choosing between this and the Submariner was a kind of tradition in the Japanese fashion industry. Ishikawa doesn't dive and is scared of water, and travel is Ishikawa's theme, so Ishikawa chose the GMT-Master and wore one for a long time in Japan. These too now run slightly over ¥2 million.

Finally, for the formal slot in the three-watch wardrobe, Ishikawa picks "the staple of staples": the Patek Philippe Calatrava 7119J-010. Ishikawa admits not understanding the mechanics. Above all, though, Ishikawa sees it as the original that shaped the modern wristwatch. Its predecessor, the Ref. 96, was introduced in the 1930s. During the shift from pocket watches to wristwatches, its thinness and wearing comfort made it a worldwide masterpiece. "Calatrava" was reportedly a nickname taken from a Spanish knightly order, and Patek later adopted it officially. Ishikawa highlights the 31mm case and narrow strap as elegant, and ideal peeking from a cuff in formal settings.

Ishikawa's recommended setup, then, is a formal watch like this, a sports or casual watch (a cheap one is fine), and an Apple Watch. There are many other luxury makers, Vacheron Constantin for instance, whose pronunciation Ishikawa compares to the Birkenstock debate. But Ishikawa says you don't need to reach for them.

Closing: nonchalance over statement

Ishikawa acknowledges including a few minor brands but says the list mostly stays with major names. Ishikawa feels YouTube has had few videos that discuss watches in a fashion context, since they tend to become watch-centric. For Ishikawa, the most important point is that wearing a watch nonchalantly is the coolest. That can mean wearing one casually as an accessory, or treating a watch as something that just tells time while quietly wearing a good one. Too much statement feels off, and many combinations end up mismatched. Ishikawa admits to not understanding movements. Enthusiasts may ask about craftsmanship or why no tourbillon was featured, but Ishikawa cares more about whether a watch looks good in a fashion sense and has an interesting story.

Asked for a favorite, Ishikawa singles out the Cartier Tank Divan, and Eddie agrees it was the coolest of the day. Ishikawa estimates the gold version at around ¥1.2–1.3 million, "like buying two MacBook Pros." Despite everything, Ishikawa confesses to being smitten with the Apple Watch. Apart from recently trying a Pixel Watch, Ishikawa wears it about 363 days a year, and the remaining days are simply ones when Ishikawa forgets to put it on.