Inside Gabbriette's Final Wedding Dress Fitting with Matières Fécales
VogueModel Gabbriette arrives at Dover Street Market Paris with her mother and her friend Bailey for the final fitting of her wedding wardrobe, made by the avant-garde house Matières Fécales. The session centers on whether the dress is finished and whether it matches what she imagined. Along the way, she and the designers explain how the three looks came together.
Eight Months of Planning and a Mother Who Hasn't Seen the Dress
Gabbriette says she is very excited about getting married. The planning has taken about eight months, and she jokes that she and her partner "should have just eloped, but it's fine." What she looks forward to most is her mother seeing the dress. Her mother has seen videos and photographs but never the garment itself. Bailey says she has already seen it and calls it perfect, so she describes her role as "emotional support."
Gabbriette's goal for the day is simply to see the dress done. "I hope it's done. I think it is. I have faith," she says. She explains that she has always loved designers who work through tailoring and "tell stories through fabric," and names McQueen alongside Matières Fécales. She says the house's last show was "a full story," and that made her feel they were a perfect match.
Her mother lists three things that excite her most. The first is seeing her daughter "dressed as a princess." The second is watching her marry her best friend and "the love of her life." The third is the celebration itself, watching everyone celebrate "this amazing event and true love."
How the Designs Developed
After some trouble on the cobblestones in her highest heels, Gabbriette goes inside and reacts to the finished pieces and custom shoes. The designers then describe the process. The first conversation happened when she came to Paris. At that stage they talked about her inspirations and general taste in fashion, not specifically about a wedding dress, and the designers say her taste "really aligned" with theirs.
One of the designers says they drew about 30 looks. They then circled elements they liked from each, and the work became "a super organic process." The main wedding dress has a hand-pleated, very finely micro-pleated, sculpted bustier top. The skirt is described as "very Victorian," with bustles and multiple layers of tulle, all hand-distressed. The designers say the distressing was one of the longest parts of the work.
The White Dress: "I Feel Like a Princess"
When Gabbriette puts on the main dress, the group responds emotionally. She checks herself in the mirror, says the sleeves are perfect, and everyone agrees that "everything is perfect." The designers point out a practical detail: the front of the skirt is slightly raised so she won't trip. Once the veil is on, she says, "I feel like a princess," and a designer replies, "That was the goal."
Gabbriette says her ideal dress changed every year as she grew up. It began as a backless silk dress with sleeves covering her hands. The silhouette that stuck with her, though, is one she jokingly traces to "basically from Dracula." She wanted to be a princess and trusted the designers to get the silhouette exactly right. A designer later confirms this reference: she "really wanted something that was sort of like Bram Stoker['s] Dracula." The designer adds that the house is passionate about sculpting the body, which is where they felt aligned with her. They describe Gabbriette as "the inspiration at every level."
She adds that her fiancé, Matty, has no idea what she is wearing. A few people have seen the dress, and she says that when he looks at them, "they make a little face." She thinks that has sent his imagination "running wild." The designers say the finished result has exceeded what they expected.
The Black Dress: Reworked Vintage Margiela as "Something Old"
The second look started as a vintage Margiela dress from Gabbriette's personal archive. A designer recalls asking whether she was sure she wanted them to cut it and play with it. She was "super down" to have it reinterpreted. When someone brings up the "something old, something new, something blue" tradition, the group agrees this dress is her "something old."
During the fitting, the team discusses trimming some of the tulle at the front. Gabbriette says this is her favorite part, "when Steven gets hold of the scissors." She also addresses the choice of color directly: "Is bridal always white? Clearly not… Bridal is whatever you want it to be." She says she has always liked black clothing, and repurposing a dress she has loved for a long time felt right. She also suggests that one of her dresses, apparently for Friday, would have been black anyway, and that since she loves this one, it is the black one.
The Third Look: Party Mode with a Hat
The final look is the one Gabbriette plans to change into for the party. Someone jokes that it is "very slimming" and "everyone's favorite." She is taken with a hat from one of the designers, says she has never touched one of his hats before, and admits she doesn't know her hat size. Holding a glass of champagne, she announces, "Time to party." Someone comments that the look has "a little bit of Nicole Kidman, Kylie Minogue" in it.
The Proposal
Gabbriette also describes the proposal, which she calls very personal. Friends of theirs had recently gotten engaged, and she had told Matty she didn't want him to bring her on stage or sing to her. So he proposed privately at home. They had just bought a house, and he filled the empty living room with candles and made a little pathway before getting down on one knee. Then they had to blow out the candles quickly because she thought the house would catch fire. She says it was about 100 degrees inside, "but it was perfect."
Closing the Fitting
Gabbriette ends by thanking everyone for being at her final fitting. She notes that the party outfit is the third of her three looks, thanks Hannah and Steven and the rest of the team, and says she will see them at the wedding.
Hi, I'm Gabbriette and I'm here with my mom and my friend Bailey and we're here at Dover Street for my final dress fitting with Matières Fécales. I'm very excited about getting married. It's been like 8 months of planning and I feel like him and I should have just eloped, but it's fine. I'm most excited about my mom seeing the dress.
I've seen videos and photographs, but not the actual dress.
Yeah. Not yet.
The dress is perfect. Like so I think I'm just emotional support.
Okay, we're running behind. Get your booties up. Okay, let's go.
What I'm hoping to see today is my dress. I hope it's done. I think it is. I have faith. I've always loved designers like McQueen and like Matières Fécales that do tailoring and like tell stories through fabric and their last show was just like a full story and I just felt like they were a perfect match.
The most exciting thing about my daughter getting married, well there's a few, there's a few things, not just one. Number one is seeing her dressed as a princess and number two, witnessing my daughter marrying
Mom, we haven't gotten in— her best friend. We haven't gotten inside. The love of her life. That's true. True? Yes.
And third is just the celebration, to watch everybody celebrate this amazing event and true love.
I'm very excited. Okay.
We're here at Dover Street and we're going to go inside to see my dress house. Oh my gosh, if I can walk on the cobblestone. Every time I come here I wear the highest heel and I can never get there. Vamos.
Hi Carolina. Oh my god, you're insane. Hi. I know. I know. Oh there is, honey.
Oh my god, it's insane. Oh my gosh, you guys. Oh, look at the shoes. I'm going to have to like build a whole new closet. Custom. Okay, let me take my clothes off.
I can't wait.
First conversation, I guess it's when she came to Paris and we kind of went through her inspirations, things that was like sparking her fancy just in terms of like fashion in general, not even about a wedding dress. It was more just her taste and what she liked and it really aligned.
I think we, I drew like 30 looks and then we sort of circled out different things that we liked from each and then it became like a super organic process. The main look, the wedding dress, which is this beautiful hand pleated, very micro pleated, sculpted bustier top and that is very Victorian and has bustles and multiple layers of tulle and it's all been hand distressed. I think that was one of the longest parts that we did.
Are you already crying? But I don't have my one.
Isn't it beautiful? Stunning. Stunning. I want to look in the mirror. Oh my gosh, you guys. It's amazing. Isn't it beautiful? I think the sleeves are perfect.
Guys, this— Perfect. Everything is perfect. Everything is perfect.
Then the front, it's raised up a bit, so you're not going to trip.
Should we put the veil on?
I feel like a princess. That was the goal. Stunning. Stunning.
Oh my gosh, I want to give you guys a hug. I'm like, thank you so much. Thank you. It's been such a— So, so beautiful.
Honestly, growing up I was like, I'm going to have a backless silk dress that like covers my hands, and then every single year it changed. But I think that the silhouette that's really stuck with me. I've always been like basically from Dracula. I just wanted to like be a princess, I guess, and I knew that they could really tackle the silhouette and make it exact. Matty has no idea what I'm doing, but there have been a few people that I've shown the dress to and then whenever he like looks at them, they make a little face. So I think his imagination is sort of, it's running wild.
Think I was expecting it to be as perfect. Yeah. Like it's exceeded kind of what we thought.
The black dress is a vintage Margiela dress that was from her personal archive. I was like, "Are you sure you want to like cut this and like play around with it?" And she was super down to kind of reinterpret and reimagine this black dress that she's had in her closet.
Cuz isn't there like something old, something— True, something old, something new, something blue. So this, I guess, is the something old.
Honey, that is so— Oh my gosh, it's stunning. No? It's so pretty. It is. I feel like it's perfect.
Do you think that the front, we need to cut some of the tulle a little bit? This is my favorite part, when Steven gets hold of the scissors. Is bridal always white? Clearly not. You know what? Bridal is whatever you want it to be. I've always been a fan of black clothing and it felt right using this dress that I've loved for so long, just to repurpose it. So, I don't know if we like did our dress originally for Friday, would have been black, but because I love this one, it's black.
I think Gabbriette really is the inspiration at every level. She really wanted something that was sort of like Bram Stoker's Dracula and we're very passionate about sort of sculpting the body. So, I think it was really an alignment there.
Wow, very slimming.
So, this is everyone's favorite then. No, this is like, it's so cool. It's so cool. I don't think I've ever touched one of his hats. You guys, it's like, I can't tell what my hat size is. That's adorable.
This is when I'm going to come out. Time to party. With a champagne. Honestly, I see a little bit of Nicole Kidman, Kylie Minogue going on. The proposal was very— Oh. It was very personal. Our friends had recently gotten engaged and I was like, I don't know, I don't want you to take me up on stage or anything and like sing to me. So, we just did it very privately in our home. We had just purchased a home. He put candles everywhere in the empty living room, and there was like a little pathway and he got on his knee. And then we had to blow out the candles very quickly cuz I thought the house was going to burn. It was like 100° inside. But it was a perfect.
Thank you for being here for my final fitting. This is my third of three looks. Thank you, Hannah and Steven and everybody at Matières Fécales, and I will see you at the wedding. Bye-bye. Bye-bye.
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