Gigi Hadid Cooks "Tim's Pasta" and Talks Motherhood, Modeling, and Cooking From the Heart

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Overview

In this episode of Vogue's Now Serving, Gigi Hadid makes two things she prepares often at home: an Arnold Palmer sweetened with honey, and a pasta dish her family calls "Tim's pasta." Her approach to cooking runs through the whole episode: she rarely measures, adjusts by taste, and treats cooking as a creative outlet, a habit she traces to her father. Between steps she talks about how modeling has changed for her since becoming a mother, what shooting 50 covers has meant to her, her Palestinian family's cooking, and a long-held wish to host a cooking show.

10 min read

An Arnold Palmer by Taste

Hadid's Arnold Palmer uses black tea, honey, lemons, and water. She notes that the flavors can be mixed and matched. She says early on that the "running theme" of the day is that she doesn't measure much: "You need to cook from the heart, people."

She boils water in a very large pitcher, filling it about halfway, and settles on four tea bags. She stirs to make sure the honey's sugars break down and dissolve at the bottom, then puts the tea in the fridge to cool while she makes lemonade.

For the lemonade, she halves the lemons (she points out that anything yellow appeals to her, and says the food stylist, Jess, seemed to sense yellow is her favorite color) and juices them with a juicer she calls the "juice king," naming herself the "juice queen." She aims for about four cups of juice.

She assembles the drink by tasting as she goes: some lemon, a bit more water, then more honey. On water she says, "You can add water, you can't take it away," and compares it to salt. She fishes the tea bags out ("bobbing for tea bags"), checks that there were four, and pronounces the result "heaven."

Early Modeling and the Confidence That Came Later

While the tea steeps, Hadid recalls her first modeling memory, a baby campaign for Guess. What she remembers is a child's logic: she believed that if she could keep her eyes open while looking into the sun, that made her a really good model.

Over time, she says, experience taught her to understand her place in the process and how to make everyone else's job easier. She links her growing confidence to getting older, and especially to having a child. In her view many life lessons come from getting through obstacles, and the confidence found in personal life "trickle[s] into every part" of it, including work.

Working Half the Time as a Mother

Hadid describes how she chooses work now. Music on set depends on the creative concept of the day: the storytelling, the character, what that character would listen to, and what she wants to feel and show with her eyes. That is why she says she needs to be excited about the creative.

She says she has "half the time I used to." She shares time with her daughter's father, and she works mainly when her daughter is with him. As a result she takes jobs that inspire her and that she feels creatively aligned with, which she calls "kind of the non-negotiable these days."

Fifty Covers as Fifty Experiences

While juicing lemons, Hadid reflects on having been on 50 international Vogue covers. She calls it "really wild," and says that when she thinks about it she thinks about the days spent with each team. She doesn't just see the finished photo. She remembers the trip, the hotel, and the personalities behind the image.

What Motherhood Has Taught Her

Hadid returns to motherhood while finishing the drink. She says one of the best parts of being a mom is experiencing life "through little eyes": children are present and excited, and their questions make you see everything in a new way. She also says mothers will sometimes feel something is more than they can handle or get through, and that doing it anyway builds confidence in yourself, which she calls "an amazing feeling."

Where Tim's Pasta Came From

Hadid says the pasta recipe came into her life during COVID, toward the end, when travel was starting to open up. Her family hosted her mom's best friend and that friend's husband, Tim, who made them the dish. Since then her household has called it Tim's pasta. The version she cooks here is "Tim's pasta, Gigi's version."

The ingredients are prosciutto, tomatoes, cilantro or parsley, spaghetti, Parmesan, olive oil, garlic, and pine nuts. She also adds red pepper flakes, which she thinks may be one of her own additions because she likes spice. She describes the sauce as essentially olive oil and garlic, with the prosciutto crisped up in it.

She cubes the tomatoes but says they can be cut any way, since "tomatoes taste the same in any shape."

Her Father's Cooking and Her Grandmother's Influence

Hadid calls her father the natural chef in the family. She says he can cook for 50 people with ease. The main lesson she took from him is to cook with your heart. Like her, he doesn't measure much. For him cooking is about tasting, smelling, and feeling it out, and it is another way of being creative.

Later, while toasting pine nuts, she talks about her Palestinian heritage. Much of her father's cooking is Palestinian food that her teta, her grandmother, cooked often, and she was the one who taught him. Whenever the family makes Middle Eastern or Palestinian food, Hadid says, her grandmother is "with us," and she finds that comforting. She loves eggs with za'atar and keeps a large jar of za'atar in her kitchen that she cooks with a lot.

A Lifelong Student of TV Cooking

Hadid calls herself "a student of television cooking" her whole life. On days home from school, if she wasn't watching Forensic Files, she was watching cooking shows. When she first came to New York, she says, one of her biggest goals apart from modeling was to be on cooking shows. At the end of the episode she calls the video her "dream come true of hosting my own cooking show."

The Prosciutto Flower

Hadid says she has cut prosciutto many ways since learning the recipe and shows a technique she worked out to vary thickness. She lays slices on the board one at a time and rotates them into what she calls a "prosciutto flower," first in one direction, then the opposite. She then chops it so the middle yields chunkier pieces and the edges thinner ones.

The point, she explains, is texture. When fried, the thicker parts turn chewy and the thinner parts turn crispy, and she likes the two together. She admits she doesn't fully know why she came up with this particular method: "it's just what I do."

For the greens she uses cilantro, noting she doesn't have the genetic trait that makes it taste like soap. When she has run out, she has used arugula instead. Anything that adds "a peppery freshness" works, she says.

Comfort Food and Cooking With a Five-Year-Old

While chopping, Hadid mentions foods she can eat at any hour regardless of jet lag after a flight. One is a particular bean and cheese burrito. The other is an açaí bowl from Sunlife, which she calls an OG Malibu spot. It was also her sister Bella's first job at the smoothie counter, which got Gigi a friends-and-family discount, and she says the bowl is nostalgic for her.

When she does have time to cook, she says, it's usually while she's on "mom duty," which means a lot of chatting with her five-year-old. Sometimes her daughter wants to help. Other times she just wants the food to appear, and then she does art on the countertop, such as watercolors, crayons, and Play-Doh, while Hadid cooks.

Cooking the Pasta: Order and Timing

Hadid says there's "a method to the madness." The pasta goes on first because it should be done before the prosciutto is. While it boils, she talks about her Vogue France cover, shot by Willy Vanderperre. He shot her first Prada campaign, she has done several creative editorials with him, and she describes him as a calm, lovely spirit. She says she can't wait to see the cover.

Next she toasts the pine nuts and warns that they burn quickly. You can get distracted, think they need more time, and turn around to find them burnt. She takes them off once she smells them browning.

She heats roughly half a cup of olive oil, adjusted to the batch. Her rule of thumb is that the amount should look like it could coat all the pasta you're making. To test the heat, she drops in a small piece of prosciutto. When it sizzles, the oil is ready. Someone on set tastes the pasta and confirms it's done.

Crisping the Prosciutto and Building the Sauce

Once the prosciutto is in, she breaks up clumps with two utensils, saying two forks work too. She points out that the first piece she added is more reddish-brown, which shows it's reaching the right texture. The chunkier pieces become chewy and the smaller ones become crispy. Along the way she jokes that she never wears an apron and doesn't usually look this dressed up when cooking at home.

When the prosciutto is nearly crisp, she adds garlic, about a clove and a half per person, cooking here for about four people. Then she adds a good pinch of red pepper flakes to make the oil spicy.

She turns off the heat before adding the pasta. She explains that if you leave the pasta sitting in the hot oil, it starts to get crispy. She tosses it to coat, then adds a generous amount of Parmesan and the pine nuts. She sums up the balance as crispiness from the prosciutto and freshness from the greens. She adds that she has made the dish for her partner, who loves it.

Plating, Tasting, and Sharing

To plate, she tops the pasta with tomato, more greens, pine nuts, and cheese. She says the part guests will come back for is the crispy prosciutto bits, which she calls "crunchies" and "heaven," and says the dish is "good every time."

She then serves bowls to the crew, including her hairstylist Dimitris, who says it smells great. Everyone toasts and says "bon appétit," and she says they'll finish eating off camera.

She closes by thanking viewers for joining her dream of hosting her own cooking show. She asks them to make their own version of "me and Tim's pasta" and to tell her about any interesting substitutions they try.