Inde Navarrette's Day-to-Date-Night Routine, and the Story Behind the Name

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Overview

In this Vogue Beauty Secrets episode, Obsession star Inde Navarrette goes through a full routine, from skincare to a finished date-night look. The routine is also a chance to talk about growing up with little makeup in the house, how a family nickname became a professional name, the practical problems of shooting a blood-soaked horror film, and what Navarrette thinks happens at the end of Obsession. Throughout, Navarrette's view of beauty stays the same: learn what suits your own face, and don't be afraid to look silly sometimes.

11 min read

Skincare: Oil Cleanser, Glazing Milk, and Sunscreen From Paris

After sanitizing their hands, Navarrette starts with a cleansing oil, applied without adding water first. The reasoning is intuitive, not technical: since the face already has oils on it, oil seems like the best way to remove them. "I don't know, scientifically it just makes sense to me."

Next comes a rose glazing milk as moisturizer, chosen because it blends well with makeup and leaves skin glowy. Navarrette gives a shout-out to "Haley" for it. They let each layer dry before the next, then apply sunscreen bought on a recent trip to Paris. Navarrette explains that sunscreen formulas differ between the US and other countries, which is why they picked this one up abroad.

The Paris trip was for a Dior show ("Christian, to be specific"). It was Navarrette's first time in Europe, and they recommend the Crazy Horse burlesque show. Having gone once, they expect "a very European year" and plan to return. Before this, their travel had been to Mexico and Thailand, which they say surprises people. Their grandmother lives in Thailand, and Navarrette greets viewers in Thai.

A House Without Much Makeup

While the sunscreen sets, Navarrette adds under-eye patches and talks about home. Their mother is a hairstylist, and the grandmother on the Australian side is "very homeopathic," so the house smelled of tea tree oil. There wasn't much makeup around. When there was, it was their mother's Urban Decay, which "stayed on like crazy." That made it hard for young Navarrette to hide borrowing it, because Urban Decay doesn't come off.

Navarrette admits they may be applying the patches the wrong way. If so, they tell viewers to "shut your mouth" first and then tell them how to do it properly. They add, laughing, that the video shows exactly why they're always "70 million hours late."

Inner Beauty: Turmeric and Iron

While the patches sit, Navarrette takes a turmeric shot, noting that turmeric stains everything. They then take an iron supplement, bought in France, and explain why. They have low iron, to the point that they would pass out, and they stress that this isn't a joke. For them, inner beauty matters as much as outer beauty. They acknowledge that health care is hard to access, but encourage viewers who can to get their vitamin levels checked, especially women, who "lose a lot of iron."

Navarrette also explains why a routine matters to them. During busy work periods and a lot of travel, getting ready became grounding, a stretch of time that belonged only to them.

Concealer and Matching Complicated Undertones

Makeup starts with concealer, either the brand on the table or YSL's illuminating product. Navarrette says their undertones are yellow and also red, which makes an exact match difficult. They treat that as something to experiment with, not a problem.

From Danielle to Inde

While applying concealer, Navarrette explains the name. As a small child, they kept saying "I do, Mommy, I do," and their mother called them independent, which became "Indie." Parents and sibling used the nickname at home, but everywhere else they were Danielle. In sixth grade, Navarrette says, "a part of my brain fully formed," and they realized they could be called Indie everywhere, so they wrote it as their preferred name on school forms.

When they joined SAG and had to register a name, they asked their mother for permission to use the name publicly. Navarrette calls it "beautiful": they always felt like Inde and now get to be Inde publicly. At home they are still Danielle, and they like that separation. If they get in trouble, it's "Danielle Fabiola," and they're "still the child that needs to do the dishes."

How the Acting Started, and the Early Roles

Navarrette jokes that they wanted to act after realizing they were a good liar as a kid, then admits that's "kind of not really" a joke. The real start was a YMCA program: their brother went to the astronaut track and they went to acting. One scene involved an older sister. Having no older sister, they drew on sibling scenes they'd seen on TV and found it fun. Navarrette traces their love of acting to that experience of feeling emotion, alongside a lifelong love of movies.

They list the early career in order. The first official role was, as they recall, Denton's Death Date, a Snapchat series, which came with a blue stripe in their hair (a nod to Selena Gomez) and was their first real time on a set. Next was a Sundance movie with Sienna Miller and Diego Luna, where they had a single scene and felt they had to "kill this." Then came 13 Reasons Why, which Navarrette says is "crazy to say." They credit Alisha Boe and Dylan Minnette with making them feel comfortable on set. After that came Superman & Lois, which they call a lot of fun.

Blush Where the Sun Would Hit

For blush, Navarrette mixes shades. Their tip is to blend the color on the back of the hand and hold it next to the face, so you can judge it without putting it on your skin first. They feel most confident fresh off the beach, with color where the sun naturally lands, so that's where the blush goes. On other days they want to look "completely pasty, borderline goth" when feeling "very Evanescence." Today's look is sun-kissed.

Making Obsession: Oversized Contacts and Blood Everywhere

Navarrette describes the physical side of the horror film. The contact lenses were "the size of a quarter," and they demonstrate how they forced them in: pulling the eyelashes up, opening the eye, and pushing the lens down. They say this was the wrong way and viewers shouldn't copy it. At one point they accidentally dropped a lens in alcohol, which meant it couldn't be used. There were no spares, so in the scene where their character repeats "it's all your fault" while rubbing another character's chest, Navarrette's eyes are closed.

The blood got everywhere: between their toes, on the tiles of their house, in their car, on their pillows. Navarrette found washing it off at the end of the day emotionally helpful. Seeing it all physically rinse away helped them leave the role behind, and they'd go to bed feeling out of it.

What Comes Next: Studio Films, Indie Freedom, and "Chameleonizing"

Navarrette says they would "do horror for the rest of my life," but with new opportunities they want to try many different things. That includes large, exciting studio projects. They also loved what Obsession gave them, the originality and freedom of independent film, and plan to stay with that for a while.

They also want to transform physically for roles, cutting or coloring their hair and changing how they look. They call this "chameleonizing" and suggest Urban Dictionary add it.

Rihanna's Lesson: Learn What's Good for Your Face

On beauty influences, Navarrette names Zendaya's Odyssey look and suggests bringing back an inner-corner eye look. They have always loved supernatural looks, but done the way Rihanna does them: striking yet beautiful, and natural for her. They recall hearing, in one of these Vogue videos, the advice to "learn what's good for your face," then realize it was Rihanna who said it. Looking up to people who did what worked for their own faces helped Navarrette, they say.

Eyeliner, and the Ending of Obsession

While applying eyeliner, which Navarrette prefers smudged, often literally rubbing their eyes, they turn to the film's ending. They've enjoyed watching audiences guess what happened. They mention that Curry has said his next movie includes a TV playing news that a girl was charged with triple homicide, which Navarrette calls a small spoiler. Navarrette's own reading is that the character got away with it, mainly because they like to think so. They also say they love that Curry left the ending open to interpretation.

Navarrette usually has two things playing while getting ready. One is Turkish and Korean shows on TV. The other is music, usually Rihanna. They start to name a third and correct themselves. Lately they've been trying to listen to more current bands instead of older music, especially girl bands.

Brows, Bronzer, and Learning That Less Works

A brow tip from their makeup artist: brush the brows upward with a spoolie, then go back in with product to lift them further. The bronzer is one Navarrette has used since high school and suspects is discontinued. It's the only one that feels like their actual color, because others look too orange.

From about 18 to 21, Navarrette experimented with eyeliner colors. They also copied a look from their tías (aunts): a brown liner, a soft milky inner rim, and a good lip gloss. Heavy makeup never felt right to them, and they admit they were too scared to wear it out. They would do a full face, go out with friends, and end up taking it all off. Navarrette doesn't treat those attempts as mistakes. In their view, "You're not trying if you don't look like a dingus every once in a while."

A Three-Product Lip

For lips, Navarrette mixes three products. Dior goes on first, slightly overlined and buffed out. If you don't have a brush, they say, the edge of the product works just as well. Next is MAC, used to darken the top and corners. Navarrette likes browns because on them they look red and pink, which they find strange. Last is a very pale shade, which immediately cuts the red and lets the natural lip show through.

While sharpening the pencil, Navarrette shares a favorite childhood memory: watching their mother sharpen her makeup, which looked "so cool" to them.

Finishing Touches: Powder, Hair, and the Secret Perfume

A translucent, brightening powder finishes the day look. For hair, travel has made dry shampoo essential. Navarrette adds that brushing moves natural oils to the ends, which is why hair looks shinier afterward. Deodorant follows ("I'm not giving the pits away for free"). Navarrette won't reveal their perfume, pointing out that Rihanna doesn't tell people what she wears either.

The Date-Night Look

After changing for dinner, Navarrette adds a flower accessory, calling it "the pinnacle of trust the process." Asked what song would play if the outfit were walking through West Hollywood, they name "Dustbowl" by Apple Cain. The last tip is to put lotion on any exposed skin, especially the décolletage, so the sun catches it and makes you look "glowy and glistening." Then Navarrette heads out to dinner.