Inside Emma Chamberlain's Updated Home: Letting a House Grow With You

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Overview

Emma Chamberlain returns to the house she previously showed on camera and walks through what has changed. Her central idea is that a home can't be finished on move-in day. You learn what it needs by living in it. Over several years, she says, she has been "slowly but surely filling in the blanks," and the tour is a record of those additions: flea-market and vintage finds, pieces she designed with West Elm, family art, and a few objects she admits she doesn't really use.

9 min read
0:21

Filling in the Blanks Over Time

Chamberlain's first example is a small one: a sponge holder in the kitchen. She says she had no idea she needed it when she moved in, but she eventually grew tired of how that spot looked without it. For her, this is how a home comes together. You don't know at first what you need or where things should go, and that becomes clear as you spend time in the space.

Many of the pieces collected since then are flea-market or vintage-store finds, and she calls the process "kind of a journey." Some are practical as well as decorative. A jar that looks like it's there for show is actually her "sweet treat jar," full of snacks.

1:17

Eclecticism With a Through Line

Chamberlain describes her taste as eclectic. She mixes pieces from the '60s, '70s, '80s, and '90s, and jokingly adds "medieval times." She says that once she leaned into that mix, it "magically had a cohesion because the through line was me." What ties the house together, in her view, is her own recurring interests rather than a single period or style.

Several of those interests come up again and again. Birds are her favorite category of animal. Granny Smith apples appear everywhere, both as a motif and as actual fruit. She insists the apples aren't there just because they look cute: she eats them, and she estimates there are about 200 in her kitchen at the moment. Apple-themed objects include a small cart, an apple-shaped cup she pictures using to pour lemonade on a summer day, an apple-scented item, and later a basket in the bedroom that turns out to be another apple.

She also frames the house as a balance between playfulness and some elegance, and says that balance reflects her personality: she enjoys playfulness but also "maybe a little bit of elegance."

2:55

The Entryway

Chamberlain says the entryway has changed a lot, and although it may seem like a minor thing, she considers its flow very important. When you walk in, you should be able to drop your keys and glasses right away and have that spot still look good. Her glasses go on a pigeon-shaped holder.

A new shoe bench has been added as a place to sit and put shoes on. She laughs as she admits that its drawer is currently empty.

3:37

Designing Pieces With West Elm

The bench belongs to a collection Chamberlain made with West Elm, and she calls seeing her own designs in her house "kind of a magical moment." She describes how the work was divided: she brought "cute little ideas," and West Elm handled the actual design. By her account, the company said yes to about 90% of her requests and told her the remaining 10% were physically impossible.

One throw pillow from the collection is printed with images that match several of her tattoos. These include an apple, a lighthouse, a bird, and a small cottage that she says is the house she grew up in. She hopes the symbols, which are personal to her, will mean something to other people too.

4:26

A Room Full of Buttons

Buttons are another obsession, and she has one tattooed on her arm. The living room holds a button candle (she jokes that it "smells exactly like buttons"), a button pillow she calls her favorite pillow ever, a button tray, and button coasters. She acknowledges that the room is "particularly buttony" and promises the motif thins out elsewhere in the house.

5:08

The Game Table and a Return to Hosting

The addition Chamberlain is most excited about is a game table in the living room. She admits that while designing the room she expected it to look gorgeous but go unused. She now describes it as a space for gathering and socializing, and it has no TV. She says she would never have thought of putting a table in a living room. The idea came from her mother, who saw the table in the West Elm collection and said it belonged in the living room as a game table.

Nearby is a piece she loves but had no place to use as intended, so she turned it into a "game dresser" for storing games. She says she went through a hosting phase a few years ago and then drifted away from it, and she announces that she will be hosting game night in 2026. Above it hangs a painting she recently received that she calls something of a family heirloom. It shows men playing games, which she says fit the room well.

6:18

The Gallery Wall

After years of work, Chamberlain says her gallery wall is done, then corrects herself: there are still gaps, but she now considers it a complete collection. One piece has been there since the start and will probably stay forever. Her father, whom she describes as an artist, made it for that wall.

She also hung a self-portrait she painted herself. She is blunt about it: it isn't good, but she finds something funny about it, and she needed something for that spot. Otherwise, she says, she wouldn't have hung it.

7:14

The Den: A New Couch and a Former Drum Set

In the next room, where her cats are playing (and hissing), Chamberlain points out a new couch. During the previous tour, she explains, the couch there was a rental because she didn't have this one yet. She calls it "the couch I was always meant to have" and says it's a relief for viewers to finally see "the truth." She uses the room for movie nights and video games, and it holds small objects she says she simply had to buy when she saw them.

The room used to have a drum set right in the middle, "as though I'm a full-time musician." She says she isn't, and that she is "actually awful" at drums, though she enjoys playing. A few guitars remain because, as she puts it, one day the music will flow out of her, and she just doesn't know when.

8:18

Half Office, Half Hangout

Chamberlain has turned part of the space into a half-office, half-hangout area. She works from home and liked the idea of another cozy place to sit with her laptop. Her other desk is in her podcast recording studio, which she calls boring and skips entirely.

She uses the new desk for many things. She says she has been journaling daily, sometimes paints watercolors, and makes things from clay, such as a small glasses holder. She notes that she paints a lot of self-portraits, calls this a "huge red flag" about her personality, and says the proportions are always off. She says she finds it odd how much of her art is of herself, doesn't know why she does it, and jokes that she'll report back if she ever raises it with a therapist.

9:46

The Bedroom: A Mossy Garden, More or Less

In the bedroom, she shows a new ottoman at the foot of the bed. She wanted something soft there, and she especially likes a small side pocket that can hold a book or the TV remote. She says she loves little details like that. Its mossy green color matches the mood she is aiming for in the bedroom, which she describes as a soft, mossy garden. She immediately admits that the room doesn't really look like one and has pops of red, but says it still feels outdoorsy to her.

10:44

A Vanity for Enjoying Skincare

Another new addition is a vanity she describes as the one she wished she'd had as a kid. It is separate from her main makeup vanity. This one is for slowing down and enjoying her skincare routine: putting on a headband, opening the small drawers, taking out her products, and putting the day's earrings in a little tray. She calls it an "energy" as much as a function.

A nearby corner used to hold a small tree and, for a while, a little table. She describes it as having been more of a visual moment. It is now what she calls a special corner for her.

11:33

A Home as a Relationship

Chamberlain ends by describing the home as always a work in progress, and compares it to a relationship in which you learn over time how to work together. Living in a house, she says, teaches you where you like to spend the most time, when light comes through each window, and where a desk makes sense or doesn't. It also answers questions like whether you'll really keep playing the drums, or whether that was just something you did out of boredom during COVID. Her takeaway is to let the home "grow with you."

She closes by predicting that things won't change for a while and suggests the next visit might be in about three years.