Dove Cameron's Final Valentino Wedding Dress Fitting in Rome
VogueFour days before her wedding to Damiano David, Dove Cameron arrives in Rome for her final wedding dress fitting at Valentino. Over the course of the visit she talks about why she never pictured a traditional wedding, what she wanted from the dress, how the celestial veil came about, and how overwhelming the planning turned out to be. She also shares the finished look with her family over a video call.
A Wedding She Never Pictured
Cameron says she never really dreamed about her wedding as a child. The closest thing she had to a fantasy was renting out something like Carnegie Hall, entering in a big black dress made of feathers, and having a 32-piece orchestra play. Now that the wedding is real, she says she feels "wildly unprepared," but in a good way. Getting married, in her words, feels right, natural, and easy, "a natural, beautiful next step." Her simplest explanation is that she's in love.
She is glad the celebration will run longer than a single day, because people keep warning her that it will go by very fast. She adds that it doesn't feel real yet, and that she and her fiancé keep telling each other it will feel real once they're there.
Seeing the Full Look for the First Time
Inside the Valentino studio, a member of the team greets her and has her close her eyes before revealing the dress on a mannequin. Cameron has seen the gown several times, but this is the first time she has seen it complete with the veil. She says every viewing feels like seeing it for the first time, and the team member agrees that it feels different each time.
Cameron wanted a dress that was "simple but elevated" and that she felt like herself in. She describes the goal as classic and timeless but still interesting. She calls the result very romantic and says it feels more like "a second skin" every time she puts it on.
The Celestial Veil
The veil gets the most attention during the visit. Someone in the room says it is equal to, if not better than, the dress itself. Cameron connects its design to her middle name, Celeste. She wanted something celestial and unique, and she describes the finished veil as an art piece.
According to Cameron, the Valentino team pitched the concept because it looks so dramatic when it trails behind her and the sun hits it. The team member imagines it looking like "floating constellation on the ground." The veil is embroidered with moons and many small stars.
The veil also changed over the course of the fittings. At the very first fitting it was perhaps a foot or two longer, and the length was later reconsidered. The team also made it more practical by adding separations on both sides so Cameron can reach her arms out and hold her bouquet.
Trying It On
Cameron says she doesn't know why she's nervous, then admits she's going to cry. The team member tells her it would be strange if she didn't. After putting on the dress, she says it is usually very hard for her to feel like herself in a dress, but that she does in this one, and she thanks the team.
The Family Call
Cameron explains that her mom and sister couldn't be in Rome, so she calls home to show them the look. Her mother and grandmother appear on the call. Her grandmother tells her she looks gorgeous and says she likes her hair that way. Cameron hands the phone to someone named Caitlyn so she can put on the veil for them.
The reveal is kept private from the groom. Cameron confirms that Damiano isn't seeing any of this until the day itself. The call ends with her family saying they will see her in a couple of days.
Details: Movement Without a Big Skirt
Asked to describe Cameron's style in three words, a member of the fitting team says "strong, timeless, ethereal," then adds that there are about 20 other words that would fit. They joke that the trouble is they love too many things, including words and clothes.
Cameron says she will never get over the fit of the dress. She credits the result to the care, effort, and pace of the work. They then turn to the buttons, which run from the top of the dress all the way to the hem of the train and also appear on the sleeves. Cameron calls the buttons possibly her favorite detail and admits that sounds odd given how elaborate the veil is.
She explains why the details matter to her. She loves movement in garments, but she didn't want a dress with a large skirt because it didn't feel like her. Instead, she wanted the movement to come from other parts of the look. She says this is also why she ended up with three dresses.
How Overwhelming the Planning Was
Cameron says everyone warned her how hard planning a wedding would be. She and Damiano brushed it off, assuming they would figure it out and that it couldn't be that hard. The team member points out that she has been doing this alongside releasing an album and preparing for a tour.
Cameron acknowledges that, but addresses anyone planning a wedding right now, offering "love and appreciation and solidarity." She says the process was so overwhelming that she couldn't have predicted it. Because so much has led up to this moment, she says, it still doesn't feel real.
Working With Valentino
Cameron closes by calling Valentino her dream house to collaborate with on her wedding look. She says she cries every time she comes into the studio because the team was so kind and went "over the top" for her, and jokes that they must put something in the air. In the end, she says, the experience is special because it is her wedding, and all of it together is what makes it meaningful.
Ciao Vogue. It's Dove Cameron and we are here in Rome on our way to Valentino for my final wedding dress fitting. Crazy.
I never really dreamed about what my wedding would look like when I was a little girl or anything like that. I think I wanted to rent out Carnegie Hall and enter in a big black dress made out of feathers and have a 32-piece orchestra playing. And so now that it's real, I feel wildly unprepared. But in a good way. It feels right. It feels natural. It feels easy. It feels like a natural, beautiful next step. I don't know how else to describe it. I'm in love. We're getting married in four days.
I'm really glad that the wedding is going to be more than one day, 'cause everyone keeps telling me that it's going to go so fast. I feel like it won't feel real until I'm there. My fiancé and I keep saying that. It'll feel real when we're there.
Ciao. Who is I?
I'm A.
Hi babes. So welcome to Rome. Let's go.
Let's go. Final fitting. Up to Valentino.
We're almost there. Okay, open your eyes.
Oh my god. I've never seen it with the full thing, with the veil on the mannequin. I've seen it multiple times, but every time that I see it, it really is like seeing it for the first time.
Yeah. I mean, each time it feels so different.
You guys did such an incredible job with it. It's so beautiful.
My great desire for this dress was that it was simple but elevated and something that I felt like myself in. Something that was classic, something that felt timeless, but still interesting. And it's so romantic. Every time I put it on, the dress gets more and more like a second skin. And this veil was really the—
The veil is equally, if not better than the actual dress, which is impossible.
My middle name is Celeste, and I really wanted something that was really celestial, something very unique. They really created an art piece. The veil is really special. I think that the Valentino team pitched this because it was just so dramatic when it trails and the sun hits it.
It's going to just look like a floating constellation on the ground. I do think when we had our very first fitting, it was maybe a foot or two longer, remember?
Yeah. I remember.
Which felt like we're like, "Wow, we're going to—"
And then we thought maybe this— No, it's super practical. I don't know if you can see, but we created the separation here and on the other side so that I can reach my arms out and hold the bouquet.
They have this beautiful moon embroidery. You can see all these beautiful little stars. I can't wait for you guys to see what it looks like on, but also with and without the veil. It's so special.
I can't wait as well. Should we try it on?
Let's try it on.
Wow.
I don't know why I'm nervous. No, actually, I'm going to cry.
It'd be weird if you didn't.
It'd be weird if I didn't?
Yeah, you have to let it out now.
It's really hard for me to feel like myself in a dress. And I really feel like myself, so thank you so much. Well, should we call my mom? You ready? Yeah. We're going to call my mom and sister 'cause they couldn't be here. Hi, Mommy.
Hi, baby.
Hi, Grandma. Here, let me take you. I'm so excited to see you guys. You can't cry because I'm going to cry so much.
You look— Oh, you look gorgeous.
Thanks, Grandma.
I like your hair that way.
I'm going to pass you off to Caitlyn so that I can put my veil on. Is that okay?
Absolutely.
Wow. No, it's a secret.
No, Damiano's not seeing any of this. Not until the day.
See you in just a couple days.
Yeah, see you in like 3 days.
Goodnight, sweetie.
How would I describe Dove's style in three words? Strong, timeless, ethereal. I mean, there's like 20 other words, but three for now.
That's our problem. We love too many things.
And we love words.
And we love words.
We love clothes. I don't think I'll ever get over the fit of this dress. And in particular, it's really insane, so—
—were able to do was crazy. And I think it's because of the care.
The care.
The effort, the pace. We haven't really given a moment to the buttons.
The buttons? Exactly.
Look at all of these buttons.
So, the buttons are going to go all the way from the top all the way to the hem of the train. And the sleeves. I love this.
No, these are—
—them, and then I remember them.
These are maybe my favorite detail. I know that's crazy, but I—
No, yeah.
It's crazy because we have this insane veil, and there's a million details on this that I could obviously focus on, but I don't know. I love movement in garments, but I didn't want a dress with a large skirt—
Mhm.
—'cause it didn't feel like me. And so I wanted to find the movement in other—
In other parts, yeah.
That's why we also ended up with three dresses.
Everybody tried to warn me how crazy it was going to be to plan a wedding, and I was like, "Yeah, yeah." And Damiano and I were both like, "We're going to figure it out. It can't be that hard."
This is also on top of everything else that she does. FYI, releasing an album, preparing for a tour.
True, but I honestly think even just, whoever's reaching out to you guys, whoever's out there planning a wedding right now, I reach out to you in love and appreciation and solidarity, because it was so overwhelming. I could not have foreseen how crazy it was going to feel. And now we're here, so I feel like it doesn't feel real because there's been so much leading up to it.
Yeah.
The experience of creating your wedding dress with a design house that you are so passionate about. Valentino was my dream house to collaborate with on the wedding look, and I was so— I don't know. Every time I come in here, I cry because they were so kind and they really went over the top for me.
Oh my god. Every time I— It's something in the— They put it in the air. Makes you emotional. But really, the whole thing is just special because it's my wedding. You know, it's all of it, of course.
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