Why the Familiar Feels Like Love: Matthew Hussey on Tanks, Walls, and Corrective Experiences

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Overview

In this conversation on André Duqum's Know Thyself podcast, dating coach Matthew Hussey asks why people keep choosing partners who are bad for them, even when they can see what a healthier relationship looks like. His answer is that nobody who does this is broken. We tend to choose what feels familiar, and what feels familiar can be painful. Hussey argues that a person's romantic past does not have to decide their future. He also argues that changing it takes deliberate effort: curiosity at first, and in the end real experiences with other people that disprove old beliefs. He illustrates the point with a candid story from early in his relationship with his wife, Audrey, and a childhood memory it brought back.

13 min read
0:12

We Opt for Home, Not Happiness

Hussey begins with a principle he says is worth keeping in mind: people tend not to choose what makes them happy. They choose what feels like home, what feels comfortable and familiar. That "home" can be terrible. Depending on how someone grew up and what influenced them, their normal might be chronic anxiety or chaos. It might be a partner who makes them earn love. It might be someone inconsistent who goes cold for days and then offers a small hit of affection that feels amazing. That cycle can become what a person is used to.

So when someone asks, "Why do I keep going for people that are bad for me?", Hussey's reply is that they are not broken. They are doing what everyone does. In a chapter of his book called "Never Satisfied," he lists several reasons people gravitate toward bad partners. The first is a scarcity mindset: when we think nothing better is coming, we settle for what is in front of us. The second is that we choose people who treat us poorly because that treatment is what we know.

The Dolphin in the Tank

Hussey insists the second reason is not simply a self-confidence or self-worth issue, and he explains it with an analogy. A dolphin raised in a tank might learn that to get a fish it has to do backflips or jump through a hoop, and then humans feed it. If that dolphin were released into the ocean tomorrow and kept doing backflips or swimming up to boats for food, the behavior could be fatal. Nobody would say the dolphin had a self-worth problem. They would say it is doing what it knows, because it cannot tell the tank from the ocean.

Hussey argues that people are in the same position. While we grew up in our own tank, the tank was the ocean. It was life and the world. As adults we go out looking, unconsciously, for the experience we had in the tank, because it is familiar. We may see friends in healthier relationships, with partners who don't cheat, belittle, or demean them and who make them feel safe. If we have never experienced that ourselves, it isn't real to us. Hussey calls this a kind of myopia: "I know that's their life, but it's not my life." What feels real is whatever our own experience has taught us life is, and that is what we go looking for.

"Your Car Goes Where Your Eyes Go"

To show how these patterns steer us, Hussey cites something he writes about in the book: race car driver Mario Andretti's tip for racing was "don't look at the wall," because your car goes where your eyes go. Hussey says this is not a throwaway line for him but "kind of a mini obsession." He can think of many places in his own life where the wall was something he kept crashing into, and he believes it takes something very intentional to turn one's eyes away from it.

He gives a personal example. For most of his life, Hussey says, he struggled to trust people. He grew up in an environment with a sense of agenda and of waiting for the other shoe to drop. As an adult, he found it hard to believe that someone could act in a pure way, that a relationship could be reciprocal, or that people were not simply out to take what they could get.

He has since come to see people differently: they are just people, with good days and bad days, sometimes more selfish and sometimes more generous. He adds that people tend to be more generous when they feel safe and feel they are not being taken advantage of. That is hard to offer someone if you are always in protection mode, carefully monitoring how much you give because you fear being exploited. In that state, Hussey says, "you end up creating the wall." You either find people you can't trust, or your own behavior turns the relationship transactional because you are afraid of getting hurt. You bring about the very thing you most fear.

5:45

Mistaking the Wall for the World

This is why Hussey says he has become fascinated by the idea that our past in love does not have to equal our future, "no matter how long it's been that way." The catch is that a person has to find ways to create a different reality from the one they have lived in so long that their brain treats it as reality itself. As he puts it: "if you stare at the wall long enough, you won't know it's the wall anymore. You'll just think it's the world."

6:16

Curiosity as a "Gateway Drug" to New Beliefs

Hussey's first tool for breaking this is curiosity, which he calls "a really important gateway drug to new beliefs." He uses it to help people see that there may be other ways of being in the world that produce different results from the ones they have been getting. He describes the effect of even a slightly different result as "mind-blowing." It suddenly becomes clear that other ways of being and other realities exist outside the one a person has lived in for so long. After that, he says, life becomes expansive, and people realize there are many more possibilities than the ones they have been telling themselves are available.

7:15

Duqum: Relationships as a Mirror

Duqum responds that the dolphin analogy hits the point squarely. He compares it to the cliché of seeing life through tinted lenses until our eyes adjust and we think that is simply how life is. He quotes Wayne Dyer, one of his favorite lines: "when we change the way we look at things, the things we look at change." Because our assumptions about reality become normalized, Duqum says, we often cannot see them at all. They become "the ecosystem in which our consciousness is an inhabitant."

For Duqum, this is where relationships matter. Because we live in a world of duality and relate to things through other people, others reflect back the blind spots we can't see ourselves. He suggests romantic relationships are probably among the most trying, testing, and potent reflections there are.

8:19

Why Healing Alone Is "One Hand Clapping"

Hussey agrees, and says this is why at some point a person has to "be in the game." Trying to heal yourself and do all the work in isolation, he says, is like one hand clapping. Eventually you have to meet the frontier between yourself and another person, along with all the friction that happens there.

8:56

A Jealous Night Early in His Relationship

Hussey illustrates this with a story from when he and his wife, Audrey, were first dating. Something happened that made him jealous. It came out of nowhere and snuck up on him. In the moment he wouldn't have called it feeling unsafe; it simply made him angry. He now thinks that underneath he felt unsafe, afraid, and perhaps slightly emasculated.

His reaction, by his own account, was not his best. He shut down, became passive-aggressive and probably a little controlling, which he calls "not a version of me I would ever want to air publicly." He says they probably argued for a couple of hours, clashing for a while, until he shut down completely and "went completely avoidant."

After a while, Audrey came to him compassionately. She told him she wanted to understand what the situation had made him feel and where it came from, because she would never want to make him feel that way. She also told him, "You can't bring it to me in this way." Hussey stresses that this mattered: she was compassionate but held a standard, because the way he had handled it was not okay. He had been very activated.

Eventually he told her what he had felt, why, and where it might come from. He got vulnerable, and she responded with love and compassion. Then he shut down again. In his mind, he says, what he had said "wasn't sexy." He felt he had gone from being a heroic, masculine, in-control person to someone showing all his insecurities. He describes it as a "vulnerability hangover."

The Sleepover He Missed at Eleven

Hussey says the episode reminded him of a childhood moment. When he was about 11, he was playing outside at home on a sunny day with his brothers and a couple of friends, including Alex, one of his best friends at the time. He can't remember exactly what happened. Perhaps his mother came out and yelled at him about something. Whatever it was, it embarrassed him and made him feel vulnerable.

He went to his room, shut the door, and wouldn't let anyone in. His brothers, Alex, and Alex's brother came up one at a time to coax him out, telling him about the trampoline and the other fun they were having. He told each of them he was fine. His mother came up too, asking him to come play because everyone was having a good time. He still said no. Looking back, Hussey describes this as his way of reacting to being hurt: trying to punish everybody else rather than admit he was hurt, embarrassed, or ashamed.

A couple of hours later they came up again to say everyone was going to Alex's house to continue the sleepover there, and urged him to come. One by one he refused them, including his mother, who pleaded with him not to do this. Hussey emphasizes that he "had no enemies in the house. Not one. Everyone loved me. But I shut everyone out."

The next day his brothers came home talking about how great the sleepover had been: movies, pizza, all of it. Hussey says he felt sick inside, because he had missed something he could never get back. Nobody had been against him. His inability to share what he was feeling had led him to punish everyone else, "but really I wasn't punishing anyone. I was punishing myself."

14:18

The Same Pattern, Twice Over, with Audrey

Hussey sees the same pattern in how he treated Audrey. First he refused to be vulnerable and, in effect, shut himself in the room and told her to go away. Then, when he finally did open up, he thought, "What have I done? I'm not lovable now," and shut down again. He describes the logic as pre-emptive: at least she couldn't hurt him if he went quiet before she could tell him he was no longer attractive.

Eventually he admitted to her that he felt she would now see him differently. Her response, as he recounts it, was that the idea was "so crazy." She told him she thought he was amazing and loved getting to know him better, and that the more she knew, the better she understood him because she had context for who he was. It didn't change all the other things she knew about him. It just meant she knew more, and she loved that.

15:52

A Corrective Experience, and Who Gets the Credit

Hussey admits he isn't sure he believed her in that moment. Over time he realized she meant it, and it became "this incredibly corrective healing experience." He saw that she accepted all of him, and that his belief that people would stop seeing him the same way once they knew these things was completely false. What made her love him more, he concluded, was seeing him as a whole person.

He divides the credit. He takes some himself, because he had to do what he had never done before: come forward with how he felt and how something had affected him. He gives Audrey "an enormous amount of credit," because the environment she created made him brave, and her response when he was brave made him braver still and made him feel accepted. This, he says, is what he means by one hand clapping: it was not something he could have achieved alone in a room.

He also says the experience didn't have to come from a romantic partner. It could have come from a friend, a father figure, or someone else. What he needed was some corrective experience that helped him question the belief that he wouldn't be lovable if he talked about these things.

17:30

Being Braver Now, and the Role of Self-Compassion

Hussey tells Duqum there is something "so meta" about telling this story on the podcast at all. Five years ago, he says, he wouldn't have told it. He would have brought a more heroic version of himself to the conversation. Because of that healing, he says he is now much braver in the world. He has accepted himself differently and made peace with parts of himself.

He has also learned to give himself compassion for where these patterns came from. If he was already doing this at 11, he reasons, it was deep and long-standing. If it had been easy to change, he would have changed it years ago. He acknowledges it has probably cost him a lot, but says the behavior got wired up at a time when he wasn't making conscious decisions about how he was being wired, and that is exactly why it deserves compassion rather than blame.

He ends by connecting this back to dating. When people can give themselves that compassion, he says, they can offer others a completely different level of it. In his view, people looking for love tend to judge others more harshly when they offer themselves no self-compassion.