The Flirting Secret Behind Three Classic Movie Scenes: Why Great Chemistry Starts With Calm

Open on YouTube ↗
Overview

Dating and relationship coach Matthew Hussey analyzes three flirting scenes from films: Vanilla Sky, Yes Man, and Blow. For each one, Hussey explains what makes the flirting effective on the surface. The larger aim is to show a single quality underneath all three, which the speaker argues most flirting advice ignores. On the surface the scenes look very different: one is sassy and sincere, one is comedic, and one is nearly silent. Hussey's claim is that all three come from the same place.

10 min read
0:41

Vanilla Sky: Confidence Paired With Sincerity

The first clip is from Vanilla Sky, a film Hussey says they personally love. Penélope Cruz plays Sofia, who meets Tom Cruise's character, David Aames, a wealthy New Yorker, at one of his parties. They end up back at her place at the end of the night, and the scene shows the chemistry building between them.

Hussey's first observation is that Sofia is not intimidated by David. She is not seduced by what he owns or who he is. She is cheeky and sassy, and she is willing to tease him. When he asks her nickname for him, she answers "Citizen Dildo," and she tells him plainly that he is not staying over.

According to Hussey, this playfulness works because Sofia also shows sincerity and earnestness at other moments. When she talks about moving to New York, she says everyone told her not to go, but she believes "good things will happen if you're a good person with a good attitude." She asks whether he thinks she's naive, and he says he really doesn't.

Hussey calls this a "unique pairing": two attractive qualities that you don't normally find in the same person. The video includes a clip of Hussey expanding on the idea in conversation. If someone can go deep on a date and have a great conversation, then say something sexy five minutes later, that person becomes "addictive," because having both is what is actually attractive. Hussey says it is not hard to find someone who is feminine all the time or masculine all the time. Women, Hussey says, don't want a man who is masculine every second of the day, because constant "alpha, alpha, alpha" becomes boring. That, the speaker suggests, is why it is attractive when "the alpha guy cries."

Applied to flirting, some people can be cheeky, confident, and a little sarcastic but don't know how to be sincere. Others are sincere but can't be playful, so they get stuck in a deep, serious mode. Someone who can do both is, in Hussey's words, "a rare bird," and rare birds are difficult to replace.

How Sofia Handles Big Compliments

The detail Hussey most wants to highlight in this scene is how Sofia reacts when David pays her large compliments. She mentions that she also works mornings as a dental assistant, and he replies, "Why am I going to the wrong dentist?" She doesn't jump in with a response. She simply pauses.

A second version of this comes when David describes himself as someone who used to be "snowboarding through his life with no focus whatsoever." She asks when he changed, and he answers, "About five minutes ago." Hussey calls this a huge compliment. Someone less self-assured might swoon over it or react to it intensely. Sofia doesn't. In Hussey's reading, she lets the validation pass by so she can stay present with what David is actually saying. She responds to the substance: "Every passing minute is another chance to turn it all around." Hussey says something deeper is going on beneath the surface here, and holds off on naming it until all three clips have been shown.

4:43

Yes Man: Flirting by Not Breaking Tension

The second clip is from Yes Man. Hussey says they remember watching this film at about 21 and thinking it was a great moment of flirting that they would talk about one day.

In the film, Jim Carrey plays a man who has started saying yes to everything in his life. He meets a quirky, fun-loving woman played by Zooey Deschanel. They have a meet-cute at a gas station that ends in a kiss at the end of the night, but they don't exchange numbers. Later they run into each other at one of her gigs, and she greets him as "out-of-gas make-out guy."

Hussey points to a first moment that "doesn't actually look like flirting." He offers her a drink, she says she has to leave because she has to wake up early, and he responds with a slightly disappointed "Oh, really?" Hussey flags this as important for what follows. She then says he can walk her to her scooter.

Along the way they banter about hobbies, and he casually mentions that he has done "some charity work and some nude modeling, FYI." When they reach the scooter, the asking-out happens backwards. She says, "My answer is yes. I'd be happy to go out with you." He says he didn't ask her out. She replies that he could have fooled her with the nude modeling comment. He says she was the one who said it, and she answers that whoever said it, "it made me very uncomfortable."

Hussey loves the clip because it shows two different ways of flirting. Jim Carrey is very funny in a way we might all aspire to in our best moments. Zooey Deschanel is "doing a lot by doing a lot less." For people who are quieter, more reserved, or not quick to a punchline, Hussey says her performance shows you can still flirt simply by not breaking tension at key moments. She pauses and then invites him to her class the next day. He jokes, "Why don't you stop smothering me? Seriously, it's way too much too soon," before saying he'd love to.

Hussey also addresses viewers who think they can't manage Jim Carrey-level humor. Hussey agrees and says they can't either. But the speaker argues that many of us get surprisingly closer to that kind of wit when we have the one quality the video is building toward, and says that quality is present in this clip as well.

7:50

Blow: Matching the Pace of Attraction, Not the Room

The third clip is from Blow, featuring Penélope Cruz again, this time with Johnny Depp. Hussey acknowledges these are "two impossibly beautiful people." The exchange is minimal: "Hello." "Hello." "I know you." "I don't think so." "Why are you smiling?" "Why are you smiling?" "I don't know."

Hussey first asks viewers to notice how busy the scene around them is: fast-paced and kinetic. Yet the two characters do very little. In the speaker's words, they are "not matching the energy of the room. They are matching the pace of attraction." Flirting has a certain speed, Hussey argues, and it is much slower than most people are comfortable with.

When Depp's character approaches, he doesn't launch into a polished "Hi, how are you, I'm..." introduction. Hussey contrasts this with a "Hugh Grant-esque" character and says it couldn't be more the opposite. He just says hello. We might imagine that exchange as ourselves on a really bad day, a terrible conversation. Hussey argues it is actually excellent for chemistry and tension, because he hasn't arrived with witty lines and a plan. Both are "ultra present" with what is happening in each other. Because they look comfortable in their own skin and take their time, a conversation that would look inane on paper sounds extraordinarily seductive out loud.

The Common Thread: A State of Calm

Hussey then names what unifies the three scenes. All of them feature people operating from a specific state of calm.

In Vanilla Sky, Hussey says Sofia's calm meant she wasn't nervous or overly grateful for praise. She wasn't in a state where her nervous system was feeding on any validation it could get that he liked her. She could respond from a place of self-assurance. Hussey cites another line: when David says "I like your life," she replies, "Well, it's mine and you can't have it."

In Yes Man, Hussey sees a calm in both characters that lets him be playful and lets her avoid being reactive. In Blow, the two characters were calm enough not to give in to the pace of the room or the pace of their nerves. Instead, they set the pace.

Hussey describes chemistry and tension as the byproducts of good flirting and says both have a speed. Going too fast, the speaker argues, is an attraction killer, and most people don't realize they're doing it.

What Hundreds of First Dates Showed

To support this, Hussey draws on their own experience. The speaker says that for about the last 20 years they have been a go-to dating expert for major TV shows. In that role they sat in a control room surrounded by monitors, watching people on first dates in order to comment on them for the show. Hussey says this made them a fly on the wall for hundreds of first dates. Of the dates that never led to a second one, Hussey reports that one thing overwhelmingly stood out: the people were going too fast.

Calm as the Source of Your Own Style

Hussey's conclusion is that this is what most flirting advice misses: flirting starts from a deeper, more foundational level of calm. There are many ways to flirt, including being funny, self-assured, sassy, playfully sarcastic, slow, or seductive. In the speaker's view, all of them come from a calm state.

Hussey argues that learning to access that state lets people find their own flirting style, one that makes them come across powerfully and increases the attraction they get from others. The key point is that this style isn't borrowed. It isn't a line picked up somewhere that doesn't sound or feel right to the person saying it. According to Hussey, it comes from the person's own calm state, and that is what allows their individual way of flirting to show. The video closes with an invitation to a free live program Hussey is running on accessing calm.