Planting a Thousand Thousand-Year-Old Trees in Edmonton

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Overview

Dustin Bajer opens with a scene from the future: walking down a dark street, you turn a corner and find an ancient tree planted a thousand years earlier, in 2024. What would it be like to live in a future full of trees that old, and how would the people living among them relate to time and to their responsibility to the future? Bajer's starting point is that much of our cultural narrative has turned dystopian in recent years, and that to cultivate better futures we first need to be able to imagine them.

4 min read

The Secret Long Tree Society

Bajer belongs to a group in Edmonton that aims to foster long-term thinking and responsibility by propagating, distributing, and tending a thousand trees that can each live a thousand years. They call themselves the Secret Long Tree Society, though Bajer admits the name is "a little bit cheeky." The group is open about what it is doing and invites others to join. Much of its activity is conversation: members spend a lot of time discussing both the philosophy of planting thousand-year-old trees and how it could actually be done. Bajer describes it as an interesting thought experiment that the group is trying to make real.

Choosing Species for an Extreme Climate

Location shapes the project. Edmonton, as Bajer notes, is the northernmost city of a million people on the continent, with temperatures from about −40°C in winter to +40°C in summer. That range limits which species can survive there for a thousand years. The group has settled on two candidates: Ginkgo biloba and the Rocky Mountain bristlecone pine, Pinus aristata.

To show the scale involved, Bajer holds up about 1,500 bristlecone pine seeds, each capable of living more than a thousand years. By his own arithmetic, that handful represents about 1.5 million years of potential growth.

Distributing Seeds and Crediting Propagators

The group has built resources to support the project, including step-by-step propagation videos. Seeds are handed out locally, and volunteers grow them into seedlings. The propagators' names are attached to the trees they raise, so each tree carries a link to the person who started it.

Where Do You Plant a Thousand-Year-Old Tree?

Bajer calls this one of the project's biggest questions. One approach is to look for places in the city that are likely to stay undisturbed. The group is also interested in the opposite approach: planting in parts of Edmonton that are expected to change a great deal. There, Bajer suggests, the trees could act as anchor points, reminders of the bigger picture amid rapid change.

Trees That Carry Stories

Looking at the trees Edmontonians already love, the group noticed that most are tied to particular people, places, or events. In short, the trees people love have stories, and they reflect the people who planted and tended them. That leads to a question the group is still asking: what story are they telling themselves through the trees they are planting now?

The Freedom of a Project You Will Never Finish

Bajer says he loves projects whose end he will never see. In some ways this takes a lot of pressure off, and it also opens up unusual possibilities. The group has been playing with the idea of a thousand-year birthday party for some of its trees. People who receive a seedling would get a ticket, and anyone who shows up in a thousand years with that ticket gets in.

Another idea is to collect a donation of a couple of dollars per tree and place it in an endowment fund to accrue interest for a thousand years. Bajer poses this as an open question rather than a plan: how could such a fund support the trees, and how could it support other long-term thinking projects in the future?

Less About Trees, More About Culture

Bajer cites Stewart Brand's saying that long-term thinking is the opposite of long-term planning. The group is, on paper, planning to plant a thousand thousand-year-old trees. But Bajer says that the further they go, the more they realize the project is less about the trees and more about cultivating the conversations and culture needed to propagate better futures.

He closes by encouraging the audience to think about the kind of future they would like to propagate, and to start something "ambitious and quirky and weird" that goes beyond what they can currently do, because, in his words, "it's worth it."